A Quote by Jesse Harris
In the past, I've been a bit diffident about my own albums, almost excusing them for some reason, even though deep down I felt strongly about them.
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If you examine the history of any playwright of the past twenty - five or thirty years - I'm not talking about the comedy boys, I'm talking about the more serious writers - it seems inevitable that almost every one has been encouraged until the critics feel that they have built them up beyond the point where they can control them; then it's time to knock them down again.
I have almost no memory of them [St. Trinian's films]. I don't think I've seen them since I was quite young. I was a bit frightened of the girls. I fancied them. Even though I was young, I found them attractive and rather frightening. I've always been attracted to frightening girls! I'm married to one!
I felt very strongly the whole social impact of that depression, you know, and I felt very strongly about the efforts that this Resettlement Administration was trying to accomplish; resettling people, helping them, and so on.
I shot many scenes of Hamburg, albums full of postcard motifs, and I discarded almost all of them. I ride my bike through Hamburg every day. I go shopping here, I go to the doctor - and yet I no longer have the eye for telling stories about this damn city, even though I love it.
I finally stopped worrying what people would think. I found out that almost everybody has some secret, some dark fear that if people knew this about them they wouldn't like them anymore, or would look down on them.
It's funny, because even though they're rattling on about the Games, it's all about where they were or what they were doing or how they felt when a specific event occurred. . . . Everything is about them, not the dying boys and girls in the arena
its no surprise to me that anyone hardly tells the truth about how they feel. The smart ones keep to themselves for good reason. Why would you want to tell anyone anything that's dear to you? Even when you like them and want nothing more than to be closer to them? It's so painful to be next to someone you feel so strongly about and know you can't say the things you want to.
Last night I thought about all the kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before...It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life, and then I come along in two minutes and boom! it's all over.
Some of my battles with weight have been very public. But most of them have been internal. Even at my thinnest, when my body was being praised, I wasn't happy with what I saw in the mirror or how I felt about myself.
Have you ever felt a potential love for someone? Like, you don't actually love them and you know you don't, but you know you could. You realise that you could easily fall in love with them. It's almost like the bud of a flower, ready to blossom but it's just not quite there yet. And you like them a lot, you really do. You think about them often, but you don't love them. You could, though. You know you could.
There are a lot of little things about our bodies that we all know, but we never talk about. That's what interests me. These are practically universal experiences; nobody mentions them! Some of them are disgusting. Some of them are appallingly revolting and degrading even to the most degenerate mind. So let's get started with a couple of them.
The thing I do miss about the way some sequels were in the past was that each film felt like its own unique, complete tone. Now, sequels are tonal facsimiles of the ones before them, like a television series, whereas back in the past sequels would often be radically different from the ones before.
Some people spend their entire lives thinking about one particular famous person. They pick one person who's famous, and they dwell on him or her. They devote almost their entire consciousness to thinking about this person they've never even met, or maybe met once. If you ask any famous person about the kind of mail they get, you'll find that almost every one of them has at least one person who's obsessed with them and writes constantly. It feels so strange to think that someone is spending their whole time thinking about you.
You can't expect perfection. It is important to sort of acknowledge some of our imperfections. I write them down. There's something about acknowledging mistakes and being able to put them down on paper; they become facts of your life that you must live with. And then, hopefully, you can navigate the road a little bit better.
Dress has never been at all a straightforward business: so much subterranean interest and complex feeling attaches to it. As a topic ... it has a flowery head but deep roots in the passion. On the subject of dress almost no one, for one or another reason, feels truly indifferent: if their own clothes do not concern them, somebody else's do. ... Ten minutes talk about clothes (except between perfect friends) tends to make everyone present either overbearing, guarded or touchy.
Vision is about more than just getting things done, accomplishing some task, achieving something; it is about discovering and expanding our view of others, affirming them, believing in them, and helping them discover and realize the potential within them-helping them find their own voice.
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