A Quote by Jesse Jackson

Pictures can live in one's memory. That's why they are important. — © Jesse Jackson
Pictures can live in one's memory. That's why they are important.
A story is ultimately a memory. It's important when you're telling a story to think about why this memory is a memory. You don't remember everything in life; you just remember certain things - so, why this one?
I am bad at memory - this is why I shoot pictures.
Sadly - and I think this is why it's so important that we do this more - I don't have that guiding light. You know, "Oh, that Sleepless in Seattle bilingual something," like, it doesn't exist. I don't have it in my memory, and that's why I thought it was important to make it.
The images selected by memory are as arbitrary, as narrow, as elusive as those which the imagination had formed and reality has destroyed. There is no reason why, existing outside ourselves, a real place should conform to the pictures in our memory rather than those in our dreams.
I've been a foreigner for the past twenty years. I don't have roots anymore. My roots are in my memory and my writing. That's why memory is so important. Who are you but what you can remember?
A strange thing is memory, and hope; one looks backward, and the other forward; one is of today, the other of tomorrow. Memory is history recorded in our brain, memory is a painter, it paints pictures of the past and of the day.
We no longer see the evolution of the nervous system, but that of a certain individual. The role of the memory is very important but... not as important as we believe. Most of the important things that we do don't depend on memory. To hear, to see, to touch, to feel happiness and pain; these are functions which are independent of memory; it is an a priori thing. Thus, for me, what memory does is to modify that a priori thing, and this it does in a very profound way.
When I think of high school, stills are so important: it's all about the wallet with the kids - they define themselves with pictures, who they know, whose pictures they have. Yearbook pictures.
The hallway of every man's life is paced with pictures; pictures gay and pictures gloomy, all useful, for if we be wise, we can learn from them a richer and braver way to live.
These beautiful days ... do not exist as mere pictures - maps hung upon the walls of memory to brighten at times when touched by association or will ... They saturate themselves into every part of the body and live always.
My memory of those places is better than my pictures. That's why I get much more satisfaction out of shooting thematic work that has to do with an idea that I'm searching for, or searching to express.
It would be so easy to lose the plot now. It's not about achieving something for its own sake, and taking pictures for their own sake. But to make conscious decisions and choices, and it includes this constant questioning - Why am I taking pictures? Because really, the world is... it has pictures enough. I mean, there are enough pictures out there.
The element of discovery is very important. I don't repeat myself well. I want and need that stimulus of walking forward from one new world to another. There is something demoralizing about going back to a place to retake pictures. You can no longer see your subjects in a fresh eye; you keep comparing them with the pictures you hold in your memory. [The] world was full of discoveries waiting to be made...(as a photographer) I could share the things I saw and learned...you would react to something all others might walk by.
Why do they put pictures of criminals up in the Post Office? What are we supposed to do, write to them? Why don't they just put their pictures on the postage stamps so the postmen can look for them while they deliver the mail?
You must never forget it if that's an important memory to you. Especially when a person dies, he can only live in the memories of others.
I think people remember pictures not dialogue. That's why I like pictures.
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