A Quote by Jesse Kellerman

The mystery form was very helpful for me as a beginning writer because mystery novels and suspense novels have a beginning, a middle and an end. — © Jesse Kellerman
The mystery form was very helpful for me as a beginning writer because mystery novels and suspense novels have a beginning, a middle and an end.
Crime novels have a clear beginning, middle, and end: a mystery, its investigation, and its resolution. The reader expects events to play out logically and efficiently, and these expectations force the writer to spend a good deal of time working on macrostructure rather than prettifying individual sentences.
I never outline my novels before I write. I do have a vague sense of beginning, middle, and end at the outset of each book, but for me, writing has always been a very character-driven process.
I read a lot of detective stories because they always deliver. They give you a beginning, a middle, and an end - a resolution. The modern novels I read don't always deliver because I'm looking essentially for a story. As in Shakespeare, "The play's the thing." In particular I read detective stories for pacing, plot and suspense.
It seems to me that good novels celebrate the mystery in ordinary life, and summing it all up in psychological terms strips the mystery away.
It seems to me that good novels celebrate the mystery in ordinary life, and summing it all up in psychological terms strips the mystery away
For me the Anita series is built like a mystery series, which means that as much as possible each book stands alone, so you have a mystery to solve from the beginning to the end of the book.
Man no longer lives in the beginning--he has lost the beginning. Now he finds he is in the middle, knowing neither the end nor the beginning, and yet knowing that he is in the middle, coming from the beginning and going towards the end. He sees that his life is determined by these two facets, of which he knows only that he does not know them
Patti Callahan Henry seamlessly combines mystery, family love, and personal journey all in one engrossing tale. From the intriguing beginning to the touching ending, The Stories We Tell is filled with the warmth, heart and compassion that have become the trademark of her novels.
I like to believe my suspense novels marry the strong characters from my romance writing past, with the twisty, clever plots of my mystery writing present.
Life, he realize, was much like a song. In the beginning there is mystery, in the end there is confirmation, but it's in the middle where all the emotion resides to make the whole thing worthwhile.
The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.
We don't tend to ask where a lake comes from. It lies before us, contained and complete, tantalizing in its depth but not its origin. A river is a different kind of mystery, a mystery of distance and becoming, a mystery of source. Touch its fluent body and you touch far places. You touch a story that must end somewhere but cannot stop telling itself, a story that is always just beginning.
I still read romance, and I read suspense. I read them both. And part of it is, I like stories with strong characters, and I like stories where there's closure at the end. And I like stories where there's hope. That's a kind of empowerment. I think romance novels are very empowering, and I think suspense novels are, too.
I am more of a suspense writer. A mystery writer solves mysteries. I am a high suspense writer.
Many modern novels have a beginning, a muddle and an end.
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