A Quote by Jesse Kellerman
People are interested in writing, and often there's an unjustifiable sense of people to believe my talking to them for the book is going to accord them any sort of fame. Which it won't. At the same time, they can be more circumspect if they know they're on the record.
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We've been led to believe that we have a very dumbed-down society - and that people are not thinking and are just sort of interested in escapism. However, if you look at this young generation, what I've been noticing is that they are extremely compassionate. They are extremely globally aware and interested, and they want to participate in making the world a better place - but they don't know how. As adults we are failing them by not providing them with any sort of guidance, any map, or any blueprint to do this stuff.
I often feel that I have a split personality. I love more than anything to be in my study writing, but when it's time to do a book tour, I love that extroverted part, too - talking to people, reading, traveling, going out into the world.
I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.
I do think of my reader, or listener, really, more often, if I give a lecture, for example, and I know that I'm talking to these people; I enjoy sort of preening them a bit. But it's a matter of decorum, basically.
It’s a shame, sort of a waste, that most people are influenced by what the newspaper supplements tell them is the book they are meant to be seen reading this year. It seems like those people aren’t really interested in books. If you’re really into books, you havoc all over the place picking up disparate stuff which you devour hungrily, and the ‘selection’ process is more like a sixth sense hunger, a billion miles away from fashion.
I can't relate to the process of just disappearing and writing a record, all at the same time, followed by the sort of drudgery of going out on tour and trying to recreate the record, playing the same 12 songs every night.
I am interested in the ordinary sort of threat. I know that people are interested in things like serial killers and what have you, but actually, those aren't the sort of crimes that really happen very much. The sort of crimes that happen tend to be more of a domestic nature and quite banal, but the psychology behind them is always fascinating.
I like talking about people who don't have any power and it seems like some of the least powerful people in the United States are the migrant workers who come and do our work and don't have any rights as a result. And yet we still invite them to come here, and at the same time ask them to leave.
I know well enough that very few people who are supposedly interested in writing are interested in writing well. They are interested in publishing something, and if possible in making a "killing." They are interested in being a writer not in writing. . . If this is what you are interested in, I am not going to be much use to you.
I think that one of the things that my dad was grappling with towards the end was how that shift had happened now and he would go on a book tour and do his shows and it would be you know fulfilling and good, but he wouldn't have the same impact that he used to and it wasn't because people were less interested. It's just because people are distracted by the million different sources of entertainment and information in front of them at any given time.
When I write a book, I put everything I have into it; so the more I have, the more the books become. Some people get freaked out by them: mostly the people who believe, mistakenly, that fantasy is about escaping reality. To them I say: If you have a problem with reality, you should be spending more time dealing with your life, and less time reading popcorn fantasy.
I'm sure there are people who survive tragedy without humor, but I've never met any of them. Nor would I be particularly interested in writing about them if I did meet them.
You've got the people you know, which are problematic. Always. They're rich but they're also real people living their lives alongside you. Then you've got the people that you make-up completely, who are often missing a dimension if they don't have some reference to real people. So strangers exist in this in-between space, where in not knowing them, you are creating a fiction for them, even in passing, but at the same time, there they are, with their actual bodies and their actual clothes. It's totally enticing.
Money, financial matters were to help people, to help them survive, not to have a bigger house or a bigger car and that sort of thing, because I hear that from so many kids, they often don't know why their father won't spend more time with them.
We are just interested in dealing with the people we're paying every day. We know federal law allows them to vote in a union at anytime, but we think we can resist that by talking to our own people and giving them enough upside.
Take the birds which you'll have noticed in so many of my recent paintings. I never thought them up, they just materialized of their own accord; they were born on the canvas... it is absurd to read any sort of symbolic significance into them.
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