A Quote by Jesse L. Martin
Jerry Orbach was the first person to take me to the Friars Club. It's a beautiful building, and you walk into these halls of comedic history and meet these old cats who could tell you a million stories about how things went down in New York City.
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I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
If I look at it, it's about being able to get lost in New York, to explore the city, to have more personal stories about New York, although some could also take place in Paris.
Old New York City is a friendly old town From Washington Heights to Harlem on down There's a-mighty many people all millin' all around They'll kick you when you're up and knock you when you're down It's hard times in the city Livin' down in New York town
John Frances, Entertainment Chair, of the Friars Club: Of all the roasts that I have produced for the Friars Club, this is the one that I am most excited about. Mickey is one of the Club's dearest friends, and we wanted to honor him in the way we know best.
I can't wait to get back to New York City where at least when I walk down the streat, no one ever hesitates to tell me exactly what they think of me.
I don't watch a lot of comedy. For relaxation and escape, I watch shows about how people survive bear attacks. Or old episodes of 'Law and Order,' the Benjamin Bratt/Jerry Orbach era.
I grew up hearing stories about how my maternal grandfather had put himself through engineering school in New York City. He saved money by walking down to a gas station once a week to take a shower. When I applied to college, both education and investment value were important to me.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
I live in New York City, the stories of my films take place in New York; I'm a New York filmmaker.
My father had this mythological sense of the old New York, and he used to tell me stories about these old gangs, particularly the Forty Thieves in the Fourth Ward.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
My relationship to New York has changed a lot. I feel lucky to live here. A lot of times you walk through the city and don't notice that you're in a really beautiful neighborhood, or that you're passing a beautiful building. It's nice, as an exercise, to keep aware that you're in a really lucky place.
'Orphee' is, for me, about changes: about moving to a new city, leaving behind an old life in Copenhagen, and building a new one in Berlin - about the death of old relationships and the birth of new ones.
I first considered writing 'New York' in 1991. I'd been in the city for a decade, was married to an American wife, and sending my children to New York schools. I was even on the board of a coop building. But I wasn't sure how to organize such complex material, and for many years I put the project aside.
All this plan does is make everybody a capitalist. I know that the New York Stock Exchange says there are 25 million shareholders in the United States, but let me tell you something: about 15 million of those people could save their dividends for 10 years and maybe buy a new suit. That's not what I call capitalism.
New York City has 2 million rats. We used to have 8 million rats. Now we're down to 2 million. You know what that means? We lose four electoral votes.
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