A Quote by Jesse Lacey
I think that the whole idea of ‘no regrets’ was always a silly idea to me, because of course I regret all the places I went wrong, but that’s what creating anything, and being human, is all about. Of course if I could go back and knew what I know now, I absolutely would do it differently, I’d do it the right way, but part of being human is that we can’t go back, we can only hope that if we come across that moment again, we’ll do it the right way.
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Part of being human is that we can’t go back, we can only hope that if we come across that moment again we’ll do it the right way.
Reshoots are par for the course on any film. For me, I kind of love it because, as an actor, you always feel that there was a way you could have done it differently. Being able to go back and do some stuff again is always a blessing in my eyes.
If you do what you think is right for the benefit of everybody and everything and you make decisions, to go back and regret them afterwards - it's a futile experience and it's not worth thinking about. Because life just unfolds. Provided you do your best and you think you're on the right track, you can only be right or wrong. But to regret it - I don't think there are any huge errors or misdemeanors.
Even if you tell yourself "Today I'm going to drink coffee the wrong way ... from a dirty boot." Even that would be right, because you chose to drink coffee from that boot. Because you can do nothing wrong. You are always right. Even when you say, "I'm such an idiot, I'm so wrong..." you're right. You're right about being wrong. You're right even when you're an idiot. No matter how stupid your idea, you're doomed to be right because it's yours.
Being in TV, we get to do it again and again until it's 'right.' There's a part of me that likes the other way, that aspect of theatre where there's no chance to go back.
We always know, we always know, which is the right way to go, and which is the wrong way to go. Sometimes, the wrong way is easier to go, or more satisfying, and so we choose that way instead of the right one and we justify it with complicated wordplay and such; but we are only kidding ourselves.
Well the only reason to go back, for me and I think for anyone involved would be if we could do something truly spectacular. We've been talking about it for a couple years and there's always been this idea, a big idea, in the back of my head that we've been talking about.
Make a decision and then make it right. There just are no wrong decisions. You could go this way, or that way, and either way will eventually get you to where you want to be. But in the moment you start complimenting yourself on the decision you've made, in that moment, you come back into vibrational alignment with who-you-really-are.
Mistakes are at the very base of human thought, embedded there, feeding the structure like root nodules. If we were not provided with the knack for being wrong, we could never get anything useful done. We think our way along by choosing between right and wrong alternatives, and the wrong choices have to be made as often as the right ones. We get along in life this way.
Our task is to educate the human being in such a way that he or she can bring to expression in the right way that which is living in the whole human being, and on the other side that which puts him/her into the world in the right way.
Part of writing a novel is being willing to leap into the blackness. You have very little idea, really, of what's going to happen. You have a broad sense, maybe, but it's this rash leap. It's like spelunking. You kind of create the right path for yourself. But, boy, are there so many points at which you think, absolutely, I'm going down the wrong hole here. And I can't get back to the right hole. I'm not going to be able to get this section back to the right hole - so I'm just going to have to cut it.
Next to being right in this world, the best of all things is to be clearly and definitely wrong, because you will come out somewhere. If you go buzzing about between right and wrong, vibrating and fluctuating, you come out nowhere; but if you are absolutely and thoroughly and persistently wrong, you must, some of these days, have the extreme good fortune of knocking your head against a fact, and that sets you all straight again.
One of my superstitions had always been when I started to go anywhere or do anything, not to turn back, or stop until the thing intended was accomplished. I have frequently started to go places where I had never been and to which I did not know the way, depending upon making inquiries on the road, and if I got past the place without knowing it, instead of turning back, I would go until a road was found turning in the right direction, take that, and come in by the other side.
I think if I'm serious about affecting people with music, I have to affect people on a human to human level, not on a grand social idea or political idea, it has to be a human being idea so it has to be what's inside a human being.
The idea of being a feminist-so many women have come to this idea of it being anti-male and not able to connect with the opposite sex-but what feminism is about is equality and human rights. For me that is just an essential part of my identity. I hope [Girls] contributes to a continuance of feminist dialogue
I think I just do what I feel is good to do. Everybody can give me their suggestions, but at the end, the final risk is mine because it's my name on the magazine. So I only do what I really feel. Everybody tries to influence you, of course: "Oh, this is the right moment to do this" and "This is the right photographer to choose," and "This is the right model to have . . ." I listen, but I must go my own way. When you take risks, it means that you know every month people are there to judge you.
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