A Quote by Jesse McCartney
When you're a 'product' for a lot of people, they're only really after one thing, and so it's hard to completely let down your guard.
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When you trust, and you open your heart, and you think - well, maybe not heart - when you put down your guard and you let someone in and they betray you, that guard goes up really hard.
A job on a newspaper is a special thing. Every day you take something that you found out about, and you put it down and in a matter of hours it becomes a product. Not just a product like a can or something. It is a personal product that people, a lot of people, take the time to sit down and read.
Once practice starts, we work hard, and that's the best conditioning there is. Everything counts. Every little thing counts. Run hard, play hard, go after the ball hard, guard hard. If you play soft (what I call signing a 'non-aggression pact' with your teammates), you won't ever get into shape.
One thing matters more than anything else for a dating product, and that is the quantity and quality of the people who use the product. It's really freaking hard to get critical mass.
Do the stuff that only you can do. The urge, starting out, is to copy. And that's not a bad thing. Most of us only find our own voices after we've sounded like a lot of other people. But the one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can. The moment that you feel that, just possibly, you're walking down the street naked, exposing too much of your heart and your mind and what exists on the inside, showing too much of yourself. That's the moment you may be starting to get it right.
Focus on your product. A lot of people focus on the name of their brand or the legal aspects, but it's more important to create your product. It's why people join. It's your vision. Without your product, nothing is going to happen.
I wish I could tell you the recipe for figuring out who the target user is for your product and who your users should be, but... there isn't a recipe. It comes down to think really hard and use your judgement to figure out who you're really building this for.
You never know. Down the road you can do a lot of product categories. But I think you really have to build your core first and for people to know you and respect you for that.
Letting my guard down, trusting that someone will look after me... I've found that hard to do.
Digital has really made the fashion industry a lot more transparent. So people can see and understand how the industry really works, and participate in an industry that was very inaccessible to people. The only thing that people used to see before was the end product. Anyone can participate in it now.
It took a lot of guts to change it and say 'I don't like the life that I'm living and I don't like the swimmer I am', so let's change it completely and say 'Look, I've got to learn to love myself'. And that's been a really hard thing to do because when you've done a performance that you're not proud of and the public and the media have criticized you.....people are really quick to make judgements so it was tough to say 'Well I don't care what you have to say. I'm going to do this for myself and if you don't like me after this, well then, it's too bad'.
I think that everybody has hard work side, no matter what your job is, you have bad days, you have people you don't get along with. The thing about modeling is every single day you're working with a completely new team so every single day is your first day of work or your first day of school. And you can't really have an off day because that will be the only experience they have with you.
There's a kind of decadence about all this: If 9/11 was really an inside job, you wouldn't be driving around with a bumper sticker bragging that you were on to it. Fantasy is a by-product of security: it's the difference between hanging upside down in your dominatrix's bondage parlor after work on Friday and enduring the real thing for years on end in Saddam's prisons.
It's a delightful thing to do, to entertain kids. They're a completely different audience because of their total lack of irony. You're always after a total suspension of disbelief, but the only people you can really achieve it with is children.
You've got to be in a place where you can put your guard down. I've got a long list of things I consider to be selling out. But amongst that list, one of them is when you make art without putting your guard down.
I think it's all machismo - 'Come on, you've got to guard your guy, man. If you can't guard your guy, then you can't play defence.' A lot of it is accountability, where you say, 'Hey, you're matched up with him. Go do your job.' The zone kind of sometimes moves a lot of pieces around.
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