A Quote by Jesse Plemons

I sing a little bit. I got a guitar for my 16th birthday. — © Jesse Plemons
I sing a little bit. I got a guitar for my 16th birthday.
The day before my 16th birthday I got my guitar.
It was my 16th birthday - my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do - write songs and sing them to people.
It was my 16th birthday-my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do-write songs and sing them to people. [...] Everything on this record is what I really wanted to say, and I'm back to being the poet I always thought I was.
I rap and I sing, so then you've got a bit of hip-hop in there. I'm Jamaican, so you got a bit of dancehall. And I'm from London, so there's a bit of London things in there... And at sometimes, it's a little bit Afrobeat.
I play guitar; I can sing a little bit.
So you can be about your business, and then on it comes again. And this time you're ready, and you've got a wine glass or something. And you put the glass up to the wall, and you can hear through the wall a little bit more of the song - maybe just the middle bit this time. You know, you managed to get in a little bit of the end. And so it goes on until - because you just got to - you really just want to sing it.
My fourth birthday, I was given a violin, and my fifth birthday, a guitar. I didn't start to play until I saw Hendrix on TV. They showed him setting his guitar on fire and burning it for the Monterey Pop Festival.
I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.
I got it into my head that I had somewhat neglected the guitar, and then I did a record called 'Arena,' and it was not a particularly bad record - it wasn't a bad record at all, but it was built around a certain concept, which is a guitar quartet, with a little bit of augmentation here and there.
I was one of six children, brought up by my mother in Swindon after my father died. We had all we needed - food on the table, clothes to wear. When I wanted a drum kit, my mother got me one. When I got into playing guitar, I came down one Christmas or birthday and there was a guitar for me. It amazes me how Mum managed to do it.
The first guitar I ever got was for my 13th birthday.
I played guitar when I was a kid, a little bit. I can tool around with a guitar, but I'm certainly not a musician.
I sing a bit and play guitar.
I couldn't sing without a guitar. I like the way it feels to sing and be holding a guitar, even if I'm not playing it that much. All my idols that I grew up liking always had a guitar on them, but they didn't play it - Buddy Holly, John Lennon, Lou Reed, Elvis Costello. It's like having a partner with you.
It's a little scary when you - I got - I just got a box to my house for my birthday from this girl who writes - I mean it's a box of like - just like body lotions and stuff like this. And like this little box of dog toys in there. There's - you name it, candles, it's like this little box that she put together for my birthday. But she wrote in it and it came to my house.
For my 23rd birthday, I received a nylon string guitar. I told myself that if I could play Eric Clapton's 'Tears In Heaven,' then I could play the guitar. I practised every chance I got, driving my housemates insane, until several weeks later I had a shaky version of the song down. I wrote my first song on the guitar a few weeks after that.
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