A Quote by Jesse Spencer

I loved working on 'House,' but I never ever want to do another medical show. It's 'fiddly' stuff. — © Jesse Spencer
I loved working on 'House,' but I never ever want to do another medical show. It's 'fiddly' stuff.
I like working on the house, small carpentry stuff. I also like working on the van. That's about as quiet as my mind gets, I think. I always loved working on the How's Your News? TV show and at Camp Jabberwocky too.
I'd see movies, comedies, and I loved 'Animal House', I loved all the John Hughes stuff, but I never saw me and my friends totally represented.
I don't like fancy fiddly girlie stuff.
I had a very Italian house - the "plastic furniture you couldn't sit on" house. Did anybody have the museum house? For a kid it's traumatic. Towels you can never touch. China no one's ever gonna use. Everything is for a special occasion that never happens. My mother was waiting for the Pope to show up for dinner. Or Sinatra. Or Chachi.
In the area we live, there's a large show of children who run from one house to another house to another house. That's lovely because it means all the children play together, and all the adults get to sit around and have coffees and read the papers or go to the park.
I owe a lot to my time on 'House of Cards' because, up until I booked that show, I had been working consistently for 12 years, but I wasn't working on anything that mattered in the way 'House of Cards' did to its audience, to casting directors, to directors and producers. The show hit this sweet spot.
There's great stuff out there, but I prefer doing a TV show, going to work every day with the same people, and a lot of stuff is not being shot in Los Angeles and I don't really want to do that because my loved ones are here.
Yeah, my first love was 'The Simpsons,' but in terms of movies and stuff, I loved 'Back To The Future,' I loved 'Jurassic Park,' I loved 'The Truman Show.'
I used to say when I was working in the theater that if I ever had five seasons of a hit TV show I'd never have to worry about money and wouldn't have to do anything I didn't want to do.
For me, 'The Crystal Skull' was something I'd never done before, and I loved every minute of it. Working with Harrison Ford as well - he's a cowboy from Montana, the most unassuming man you'll ever work with, fabulous guy, and I loved it.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
We spend a lot of time trying to keep all that stuff very private. In this day in age, it's impossible. It's out in the ether and people send stuff to my house all the time. People show up at my house sometimes.
The rock star stuff never came up for us. The Band was never attacked by groupies before, during or after any show that we ever played.
One strand of psychotherapy is certainly to help relieve suffering, which is a genuine medical concern. If someone is bleeding, you want to stop the bleeding. Another medical aspect is the treatment of chronic complaints that are disabling in some way. And many of our troubles are chronic. Life is chronic. So there is a reasonable, sensible, medical side to psychotherapy.
Full House was a show that was done for ten-year-olds. The critics hated it. They said terrible, terrible things about it. But it should have been reviewed by ten-year-olds. That's who it was made for. They loved it. And if they loved it, great. Why the hell does a fifty-year-old guy working at a big newspaper have to tell me I'm a piece of crap?
If you ever want to be interrogated, get Michael Shannon to do it. He's an amazing man. I loved working with him.
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