A Quote by Jesse Ventura

In February 2003, I signed a three-year contract with MSNBC to host a talk show. Having recently decided not to run again for governor of Minnesota, I was still a pretty hot commodity. The show was originally scheduled for an hour, four nights a week.
Right when I started getting solid was when I was offered a lot of writing work. And when The Ben Stiller Show was picked up, I realized there was no way for me to do stand-up three or four nights a week and run this television show with Ben. So that was the moment when I had to make a choice.
I had no interest in being an actress what so ever, and when I was about 14 or 15, I was signed to a company in England. They owned a children's TV show which they put me in as a singer, and I was on the show for three years, and I left the show when I was 18 and started looking for a record contract.
I do my show half-hour a night four nights a week. I haven't seen my kids in 18 months, and I am losing calcium in my bones. Doctors say I should stop. I'm not going to.
Long ago, I did a five-and-a-half-hour-a-day, six-day-a-week talk show for four years, early on, in Los Angeles - local show. And when you are on that many hours with no script, you know, you get very comfortable, maybe overly comfortable with that small audience.
When I left 'The Garry Moore Show,' I signed a 10-year contract with CBS.
'Grease' was my Broadway debut. That was eye-opening. At the same time, it was very familiar. It was a Broadway show, but it's kind of the same as doing a show in Minnesota. It's the same type of rehearsal process. You are doing 8 shows a week, but I worked at a theatre in Minnesota that did 11 shows a week.
Even at its height, 'The Daily Show' would do one great show a week, one pretty good show a week, and then two 'meh' ones. It was filler.
Three, maybe four times a week, I run for 30 minutes. If I don't run, I'm out for a brisk walk at least an hour every day.
In 1985, I was the host of a talk show, 'Hot Properties on Lifetime.' Hulk Hogan was on the show. He put me in a headlock and rendered me unconscious and let me fall to the ground. I split my head open and got nine stitches - and this was on live TV.
I do not know why anyone would host an awards show. No matter how unbelievably well you do at it, the only thing that can happen is you get asked again to host an awards show.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
It takes a week to do a sitcom in Hollywood. I do a show a day in my studio, three or four shows a week.
I wouldn't want to be a talk show host. That's another awkward compliment people make. 'You should have your own talk show.' And I think, no thank you.
Despite my professional experience, the fifteen-hour workdays, and a successful new show that I had helped build, MSNBC was still refusing to pay me what I was worth.
I always just try to remind myself, like, at the end of the day, no matter how much pressure it is to be a TV show host, you still get to be a TV show host.
I run about four to five miles, three days a week. I have four young children, so pretty much the only time I can get away is real early in the morning.
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