A Quote by Jessi Kirby

That’s what seems the most sad to me—that neither of them even think there’s a possibility they can be together. — © Jessi Kirby
That’s what seems the most sad to me—that neither of them even think there’s a possibility they can be together.
Sometimes we are given exactly what we need. The precise people that you need the most come stumbling into your life. Sometimes you don't notice, and this is very sad. Sometimes you lose them again. This is sad too, but not as sad. Because what you have once had together you have forever.
But it does make me sad that we've forgotten our names. Out of everything, this seems to me the most tragic. I miss my own and I mourn for everyone else's, because I'd like to love them, but I don't know who they are.
I think people get a sense of possibility when they're on a plane, even romantic possibility, wondering if the perfect person is going to sit down next to them or something.
When you see a knife, fork and a spoon it seems to me like there are two of them together on one side of a plate, and then there's one on the other. It seems like a couple and a singleton. It seems obvious to me!
It seems to me that dominant cinema seems to require an empathy or a sympathy between the film and the audience which is basically to do with the manipulation of the emotions and it seems to me again -- and this is a very subjective position -- that most cinema seems to trivialise the emotions, sentimentalising or romanticising them.
Marriage is a pretty amazing thing when you think about it. For two people to live together for so long under the same roof is a big accomplishment. Fifty-year anniversaries are becoming extinct, yet again proving that long marriages deserve awards and praise. Sometimes I see old people in restaurants sitting together eating their meals and I watch them. Sometimes it makes me sad. They don't even talk. Is it because they have nothing else to say, or can they simply read each other's mind by now?
Liberty is the possibility of doubting, the possibility of making a mistake, the possibility of searching and experimenting, the possibility of saying No to any authority - literary, artistic, philosophic, religious, social and even political.
People who act the most arrogant often are the most insecure, and they just can't even begin to accept the possibility that they might not be as good as they think they are.
I for sure believe in miracles. For me, a miracle is seeing the world with light in your eyes. It's knowing there's always hope and possibility where none seems to exist. Many people are so closed to miracles that even when one is boldly staring them in the face, they label it coincidence or serendipity. I call it like I see it.
I think people do look to writers to tell the truth in a way that nobody else quite will, not politicians or ministers or sociologists. A writer's job, is to, by way of fiction, somehow describe the way we live. And to me, this seems an important task, very worth doing, and I think also, to the reading public, it seems, even though they might not articulate it, it seems to them something worth doing also.
Be patient, even if every possibility seems closed.
The adjuration to be "normal" seems shockingly repellent to me; I see neither hope nor comfort in sinking to that low level. I think it is ignorance that makes people think of abnormality only with horror and allows them to remain undismayed at the proximity of "normal" to average and mediocre. For surely anyone who achieves anything is, essentially, abnormal.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
I’m not sad, but the boys who are looking for sad girls always find me. I’m not a girl anymore and I’m not sad anymore. You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say ‘Wow, isn't he so terribly brave to love a girl who is so obviously sad?’ You think I’ll be the dark sky so you can be the star? I’ll swallow you whole.
I feel like my strong side is not being technically perfect at the piano, but at curating my own work. It's not painful for me. I don't feel sad when I have to leave things out, put them in the safe, and not have them in public. I realize many artists feel sad about this process, but for me that's the most exciting part: By losing the weaker moments you make the strong moments stronger.
Most people never believed in the real possibility of going to the moon, and neither did I until I was in my twenties.
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