A Quote by Jessi Klein
The very first time I did standup, I went to an open mike on the Lower East Side at a place that doesn't exist anymore. And it was one of those open mikes that wasn't really just for comedy.
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I feel like most standup comedians do it the way I did it, where you just go to open mics and cut your teeth. Sketch and improv - they take a lot of classes. It's not unusual, the way I did it. It's just that, with standup, no one knows how to start because there's no book for it; there's no place you can really go.
What I remember most are some of the guys in the background - who they were and what kind of times we had during those days on the set. I remember staying at Mikes house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mikes wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly.
I really loved working on comedy. Most of my roles have been very dramatic and involved lots of emotional work and crying on cue. I do really enjoy those roles because you really feel accomplished at the end of the day but they are very emotionally draining! Working on a comedy show is just fun and at the end everyone is laughing! But I am open to all roles and genres just being on a set and being a part of the magic is what I love most!
When I started making money, I immediately began buying property and fixing it up. I was always searching for the next neighborhood. The first place I bought when I was 19. I found a huge loft on the Lower East Side, almost 3,500 square feet. I did it up, turned it over, and sold it.
My grandfather and his wife came to America at the end of the 19th century from Hungary. Everyone started out on the Lower East Side. They became embourgeoise and would move to the Upper West Side. Then, if they'd make money, they'd move to Park Avenue. Their kids would become artists and move down to the Lower East Side and the Village.
In my mid-twenties, I said to myself: 'I can't perform anymore!' I didn't know what I wanted to do. I didn't perform for a while, then ended up doing a one-woman show about Gilda Radner having cancer. It was called 'Gilda Defying Gravity,' and I did it on the Lower East Side. It was great; people really came out and supported me.
I think the Social Office is really the office where East meets West. For those that don't know, the East side is typically the First Lady's side of the house. The West side is typically the President's side of the house.
The evolution of the plaza always came from the idea of just a really good place to ride a skateboard that you could ride at anytime, and that's what the foundation always stands for - being a place that's free, open and legal... for those that are technical, to do really hard stuff, and for those who are learning, to just have fun.
I would call it a comedy variety show. We have some people just doing straight standup. We usually try to have one musical act of sort. So its just people being funny in different ways, not just sketch, not just standup, not just characters, all of those things.
What the world needs most is openness: Open hearts, open doors, open eyes, open minds, open ears, open souls.
It's important that we attempt to extend life beyond Earth now. It is the first time in the four billion-year history of Earth that it's been possible, and that window could be open for a long time - hopefully it is - or it could be open for a short time. We should err on the side of caution and do something now.
It was at a performance art space that's no longer around, Gusto House... All of these great performers from all over the country lived on the Lower East Side, and they would take somebody's living room that opened right onto the street, open the door and charge tickets and put up chairs.
If man did not exist as a world-spanning receptive realm of perception, if he were not engaged in this capacity, nothing at all could exist. 'Being,' in its traditional usage, means 'presence' and 'persistence.' To achieve presence, and thereby being, an entity requires some sort of open realm in which presence and persistence can take place. Thus an open realm of perception like that of human existence is the one being that makes being possible.
A lot of times, politics, global issues are very black and white. There is a place for that, but it's also fantastic to have art side by side, from different viewpoints, open for interpretations.
The first time I ever got up on a stage, I did a comedy poem. I don't know how I got there in the first place because I was very, very shy.
The cases involving the question of whether U.S. courts should be open to claims of international human rights violations brought by foreign persons against foreign government officials. And the State Department on the one side has got a very consistent and powerful view that U.S. courts should be open to those claims because there needs to be a place in the world where they can be brought. And those human rights norms ought to be real and enforceable, and we ought to be a beacon to the world.
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