A Quote by Jessica Barden

I like doing stuff that is sad or angry. It's a challenge, because you're doing a mix of scenes and you're making a person. — © Jessica Barden
I like doing stuff that is sad or angry. It's a challenge, because you're doing a mix of scenes and you're making a person.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
I like more streetwear and baggier stuff. I like what Off-White is doing, I like what Fear of God is doing. There's a brand called FourTwoFour out of L.A. that's doing a lot of good stuff too.
I think it's just a lot more pressure to make the scenes work when you're doing a film, because when you're doing a series you feel like, I have so many scenes, so many episodes, so if I don't get it exactly right this time, I have another scene later. You feel less pressure.
The process of making a movie has expanded in terms of effort and time for the director, doing commentaries for the DVD for example, finishing deleted scenes so they could be on the DVD, and doing things like a web blog.
Sometimes I was making my dad mad because I was doing some bad stuff, like kid's stuff. And he just put the ball in my hands: 'Go out and shoot.'
I love hosting. I've always really enjoyed making people happy, and so anytime I'm doing anything or the event is doing anything, and I look around and there are smiles on everybody's faces, I feel like I've succeeded in doing something. That's the stuff that I'm most grateful for.
That was very flattering, meeting Steve Vai and hearing his stuff, because he was kind of a fan, even though we kind of dumbed down what he was doing and what people were doing in the '80s. We weren't doing solos; we were doing sounds and all this creepy, trippy stuff.
I'm not a person that really deal in color. I recognize the inequities that certain cultures have to go through. I understand the history of slavery and all those things. But I'm not a victim. I can vote, I can participant. I can invest my money. I can invest my time. And that's what I'm doing. I'm not working for anybody. I'm not making any money doing what I'm doing. I'm doing it because someone did it for me.
When I was in acting class, we did a lot of really serious scenes, and we didn't do comedic scenes. I felt like doing those scenes, it didn't come out of my mouth the right way. I don't know if it's because my voice is different, or what it is about me, but it just seemed a little off.
I like going to Japan where they treat it like a real sport. I like doing the entertainment stuff with the WWE. I really like doing the small venue stuff, like Ring of Honor, because everything is so intimate. There's different feelings and different experiences, and you have to be good at different things to do all of that.
I like doing both TV and live stuff, though it's nice to mix it up.
I am a guy that does a million other things in addition to boxing. I have a lot of other stuff that I have been into my entire career and I have put all of that on hold now I am doing more stuff involving the actual promotion of the fight like doing interviews and making appearances.
Besides film, I'd like to be the young Regis. That would be great. Going back and forth from L.A. to New York. Doing stuff on food. Doing stuff on kids. Just talking about issues that are relevant. Doing things on the Olympic Games.
I like going to museums and stuff, but I also like going out and doing lots of physical activity like camping and hiking. I like doing stuff that I've never done before. Curiosity is a big thing. Usually it means that people are intelligent and that they want to learn stuff about the world.
Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.
I've done scenes in films that I felt like the performance was better in certain takes, but they couldn't use them because it didn't match what the person was doing when they came around and the camera was on them.
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