A Quote by Jessica Barden
I was always a show-off with my friends; we used to have interpretive dance nights to Christina Milian and Sean Paul where we'd film it.
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I was always interested in dance as a creative art and traditionally dance is taught as an interpretive art.
When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.
Dance and I are synonymous, and nobody can take away dance from my life. Also, I cannot look at dance in an inert way; it's my passion, and I get keen on being part of any show or film that has dance!
Well, Sean Paul we've always wanted to work with.
Saturday mornings in spring should always start with a jolt of dance by Paul Taylor performed by Taylor 2. The touring ensemble, an adjunct of the Paul Taylor Dance Company, offered a rare New York performance... It was an impressive event, presented by a group of highly individualistic dancers.
I didn't start out my directorial career with a dance film, as I knew people thought a choreographer will easily make a dance film. And even with a non-dance film, I had delivered a successful film.
I pay tribute to the writing always. The writer is a creative artist and the director is an interpretive artist and the actors are interpretive. You take zero and make it into something, that's always amazing to me.
There used to be times when I used to be bothered about box office, director, producer, the actress... If those ticks were marked, I used to say 'yes' to a film. Later on, my focus absolutely changed. Now if a character stays with me for two to three nights, I say 'yes' to the film.
I felt that film (Let It Be) was set up by Paul for Paul. That is one of the main reasons the Beatles ended. I can't speak for George, but I pretty damn well know we got fed up of being sidemen for Paul. After Brian died, that's what happened, that's what began to happen to us. The camera work was set up to show Paul and not anybody else. And that's how I felt about it.
I'm still Sean that me mates went to school with, not Sean the film star. And that's the way I prefer to be.
When I was little I used to dance and model and that was fun. But I was always the person that was goofing off and I would memorize every line in every movie that I saw. And at recess that's what I would do, I would talk to my friends and recite movies.
Paul and I were friends, the Moody Blues toured with the Beatles on the second British tour. That developed into me working with Paul, whom I always admired.
I love Pink, and I love Christina Aguilera. Something about Christina always inspires me to do things that are really different.
I always loved to entertain and show off in front of the neighbors. I would sing and dance at their houses.
Oh, I got totally misquoted saying I can dance like Rihanna. I can't! What I did say is that I enjoy a dance-off with my stepdaughter and her friends.
Being on a Paul Thomas Anderson film, the best decision an actor can make is to listen to Paul Thomas Anderson. Because he's probably not going to steer anyone in the wrong direction. I would always say go with your gut on any other movie set, but with Paul, I would say go with Paul's gut.
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