A Quote by Jessica Brown Findlay

Girls in scripts are often pretty but brainless, or geeky and no one likes them, so it's great to find richer roles. Chalk and cheese aspects of people are very interesting to play.
If you write interesting roles, you get interesting people to play them. If you write roles that are full of nuance and contradiction and have interesting dialog, actors are drawn to that.
I give preference to scripts and of course, the importance of my role in the storyline. Still I am not after hero roles. I take such roles only when I find the scripts exciting.
I get told I'm too good-looking for a lot of roles. They don't write roles people would think I'm supposed to play as often as they used to - the rom-com pretty-boy storylines.
An able reader often discovers in other people's writings perfections beyond those that the author put in or perceived, and lends them richer meanings and aspects.
I'm not geeky but I have my geeky, corky moments, and then I've got some aspects of cool in me, I guess.
There are some great women's roles in television... so much more interesting than what I was reading in film scripts.
We believe we're seeing, in other animals, a process, or an attribute, that isn't fundamentally different from what we see in humans, so it seems to us to be spurious to call them different things. Now there are aspects of human culture that we don't find in animals, and that's really interesting, but there are also probably aspects of animal cultures that we don't find in humans, and that's really interesting.
There are some jobs that you go for because achieving them would take your career in a direction that you would like it to go, but mostly, I want to play the roles and have had the great good fortune and opportunities to play some fantastic roles and been very, very fortunate.
had two smaller scripts that I had written with full black casts. And people loved the scripts, but nobody would fund them. Those roles and stories are out there. But unless you have the money to finance movies on your own, you're beholden to others, and that is a very big limiting factor.
I want to keep doing interesting work with interesting people in whatever form that may take, but I want to play the big parts of classical theatre; I want to go on stage and play great Shakespearean roles and, at the same time, do amazing, challenging indie films and comedy, and I want to do it all. I am greedy.
It's very, very rare to find five roles in one piece where we'd all jump at the chance to play any of them.
In Tamil and Telugu films, I am not called for stylish roles and often play rustic or unglamorous roles in them.
Everyone thinks that Jean-Luc is an intellectual. But he's very a sportive person too. He likes action. He likes people to be physical in their roles. They had to move a lot.
I watched a lot of YouTube videos of cute geeky girls playing '80s cover tunes on ukuleles. Technically, this wasn't part of my research, but I had a serious cute-geeky-girls-playing-ukuleles fetish that I can neither explain nor defend.
All the roles are for boys. The girls' roles are either small or all the same. There's just nothing interesting.
When 'Dare Me' was first in development, it was hard to make the case for why it'd be interesting to anybody other than teenage girls. It'd often be treated, like, on first glance, 'What is this? 'Pretty Little Liars?' 'Mean Girls?'' It never was that.
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