A Quote by Jessica Chastain

I understood the importance of doing an Aaron Sorkin film. He's a political filmmaker. — © Jessica Chastain
I understood the importance of doing an Aaron Sorkin film. He's a political filmmaker.
I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
When you get a chance to work with Aaron Sorkin, you don't say no. You drop everything you're doing.
I read an interview with Aaron Sorkin and he said he plays every part when he's writing. I thought, "Oh, I do that too! I'm doing okay."
Aaron Sorkin was completely unable to understand the actual psychology of Mark or of Facebook. He can't conceive of a world where social status or getting laid or, for that matter, doing drugs, is not the most important thing.
All of Aaron Sorkin's characters are so smart.
In a weird way, I never wanted - I don't consider myself a very good writer. I consider myself okay; I don't consider myself great. There's Woody Allen and Aaron Sorkin. There's Quentin Tarantino. I'm not ever gonna be on that level. But I do consider myself a good filmmaker.
I am an old, old friend of Aaron Sorkin's, who is the executive producer and writer. He had been talking about doing a political show for a long time and I had been interested in it for a long time. The moment I became available, he called me last year and asked me if I wanted to do it and then I just had to audition for the powers that be, and I got it.
I don't think Aaron Sorkin can write a character who isn't really funny.
I am lucky enough to have Aaron Sorkin write what I have to say.
Aaron Sorkin is why people hate liberals. He's a smug, condescending know-it-all who isn't as smart as he thinks he is.
For better or worse, I have a lot of vaudeville circus skills that you just can't showcase in Aaron Sorkin's work.
Though 'Moneyball' had the talents of screenwriters Steven Zaillian and Aaron Sorkin going for it, they weren't baseball insiders.
Aaron Sorkin very sticky about using precise language. It's in his contract: you have to use what he writes!
During my many hours on the Acela, I have taken to watching 'The West Wing,' Aaron Sorkin's drama of an idealised White House.
Every creator sets up their world differently. That's what's so amazing about someone like Aaron Sorkin and his writing.
Anything that Aaron Sorkin writes, I could watch a million times. One of the few shows that I've watched in repeats was 'The West Wing.'
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