A Quote by Jessica Hagedorn

I don't know what issues concerning identity have helped contemporary fiction evolve to what it is now. All I know is that the range of voices that are being heard and published is a lot more diverse than when I was coming up.
I think I'm more grounded, you know, and I know what I want out of life and I'm, you know, my morals are really, you know, strong and I have major beliefs about certain things and I think that has helped me, you know, from being, you know, coming from a really small town.
I do think, however, that there's a very diverse point of view in the African-American community. There's a lot of different voices that need to be heard. I don't claim and pretend to know the thoughts and opinions and ideas of all African-Americans.
It's Teach For America's responsibility to ensure that all alumni know their voices are heard and valued, and to surface the range of opinion they represent.
The most important publication of WikiLeaks is that it has published more than 10 million documents. The most important single collection of material we have published is the US diplomatic cable series. We started with 251,000 in 2011, but are up to 3 million now and have more coming.
I think being biracial is a different experience. I think that, and coming from the U.K., I feel as much white as I do black. And so it's really important for me to address these issues of identity in my work. But also, you know, we're always stronger when we work on, you know, what we have in common. And I love exploring that in my work.
I will stand up on issues as they arise, making sure that the voices of Georgians are always being heard.
I don't cry. Well, you know, I think coming from an acting background that's really helped me because I more than anyone know that an actor creates a character.
Fiction is more dangerous than nonfiction because it can seduce better. I think we all know this, know that deeper truths can be approached in fiction than in fact. There are risks for the reader, because after reading certain books you find you have changed irreversibly. There are risks for writers: in China, now, and Ethiopia and other countries right now, writers face real persecution.
Music is a vital part of my life, and it has been since I was a kid. It helped me find my identity as a person, it helped me find my identity as an artist, and it helped me get in touch with emotions that I didn't know I had.
I mean, it's fun for us to talk about issues. You know, there's no one issue we spend a lot of time on probably, because he gets to do that all day with somebody else who's a lot more expert at issues than I am.
Some of the issues with identity politics are critical moral issues. But we've got to show America that we don't have a plan just on these so-called identity politics issues, but that we have a plan for the economy, that we know how to provide for a strong national defense.
Have you come over time to think that you know more now than you did when you were young, know less now than when young, know now there is so much more to know than you knew there was to know when young that it is moot whether you think you knew more then than now or less, or do you now know that you never knew anything at all and never will and only the bluster of youth persuaded you that you did or would?
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
I don't know if I even consider myself a very political person. I have always had strong beliefs on important social issues. Politics have politicized social issues, but I don't know if social issues are in fact political. If anything, they are more human issues than they are political issues.
There are a lot of people - and I'm not talking about elected Democrats - there are a lot of your fellow citizens - you don't know them, you don't know where they are - but there's many more of them than you know and realize, and they revel in all of this. They love the chaos. They love the majority being disturbed, bothered, shaken up by it.
There must be a dozen films now based on Philip K. Dick novels or stories, far more than any other published science fiction writer. He's sort of become the go-to guy for weird science fiction notions.
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