A Quote by Jessica Hagedorn
I think for a lot of so-called post-colonial peoples, there's a feeling of not being quite legitimate, of not being pure enough.
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When you have countries that have a lot of minerals and diamonds and oil and are in business with companies from all over the world - but these companies don't share, really, their profits - this is called post-post-colonial.
Self-esteem and identity are very fragile things. I think a lot of times, those are the motivations for why people do take their own lives - not being seen, not being recognized, not being loved, not feeling supported, not feeling understood.
A lot of men wouldn't like being called a romantic. It's not macho enough.' Quite often men are fools.
We reward people a lot for being rich, for being famous, for being cute, for being thin... one of the values I think we need to instill in our country, in our children, is a sense of 'usefulness', in other words, are we useful, are we making other peoples' lives a little bit better?
I grew up in the '80s where there's a lot of these kind of post-apocalyptic, post-comet, post-whatever it was, so that always captured my imagination a lot as a little kid, that idea of getting access to secret places and being able to roam around where you're not supposed to.
Waging a colonial war in the post-colonial age is self-defeating.
Being able to get a big body to change direction, I think that's huge. I don't think a lot of tight ends incorporate that enough. I got a lot of that from playing hockey when I was younger, being able to play on the inside and outside of skates, as well as on the basketball court, being able to put my foot into the ground and crossover.
I have experienced things that I think many Canadians have gone through - the feeling of not belonging, the feeling of being a victim, of being hurt, being marginalized.
African cinema doesn't have an African industry at all and that's where our problem arises. We come to all of these initiatives with a lot of suspicion because we're so inhabited by the notion of being colonized, the post-colonial thought that someone wants us to do something that is their interest and not ours and even it's not true, there's the suspicion of it like where is this going?
It is not quite right to describe One Taste as a "consciousness" or an "awareness," because that's a little too heady, too cognitive. It's more like the simple Feeling of Being. You already feel this simple Feeling of Being: it is the simple, present feeling of existence.
We, all of us, are being called to do something unprecedented. We are being called to think about "everything that is," for we now know that everything is interrelated and that the well-being of each is connected to the well-being of the whole. This suggests a "planetary agenda" for all the religions, all the various fields of expertise.
I think there's a lot of shame in American race relations. There's a lot of suppressed guilt that lashes itself out still. I see that all the time, and whereas opposed to sort of trying to address the issue in an up-front way, they're attacking and thus perpetuating the problem thinking that they're being sophisticated and post-racial, when, in fact, they're being completely regressive.
I don't think of myself as being troubled as a human being, but I guess I'm quite extreme, quite big and quite loud, and maybe people pick up on that when they cast me. I'm certainly not the quiet reflective type.
Naming is like putting a stamp on something and fixing it. A kind of formaldehyde sort of fixation, but it becomes dead, sitting there forever, frozen. So, I'm not a great one for these modernist, post modernist, post colonial labels. I think they serve certain purpose. You do need some kind of sign post here and there, but it can also become an end in itself.
Obviously, being the CEO, there are a lot of eyes on what you do and what you post and how you post, and I think one of the challenges of Instagram in general is that, as we get bigger, there are just more voices in the room, more eyes on everyone's accounts.
This record was kind of, like, innocent. It's called 'The Innocents.' So it's the concept of being young enough to not really understand the implications of your decisions and then kind of feeling the weight later and being, like, but I was innocent. Like, did I deserve this?
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