A Quote by Jessica Hart
A normal modeling job consists of hair and makeup starting at 5:30 a.m. On location, we shoot until theres no light, then drive home. If were lucky, well have a hotel close to the location, which takes out the driving time. Otherwise, its pretty brutal, from airplane, to car, to job, and back again.
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It's all in L.A. There might be some location shooting as well. I think it's pretty short. I heard it was like six to eight weeks, which is pretty short. But you don't have to do makeup or anything. There's no hair, there's no makeup, there's like one trailer for Jason and one for the actors who do cameos. It's quick. So that's what they're saying. I don't know if that will change.
I had my first flower stall when I was seven, at the end of the drive in Minehead, Somerset. Nobody was stopping so I moved it to my neighbour's drive, because I thought: 'Location, location, location.' It worked.
What drives the attractiveness of a trans-shipment hub are really three things. Location, location, location is very helpful. But so is productivity - a stable labor force and getting ships in and out as quickly as possible. And then, getting costs as low as possible will drive carrier behavior.
For example, if I make money, I put it in real estate. I always did very well. Location, location, location.
Usually I'll drive to certain locations over and over again, over a course of months really. And then it might just be I hit it at the right time, and the right light. And then I might go to that location over and over again, and then what happens in that lag time where - the image sort of locks in - all of a sudden I see it in my mind's eye.
Ask any real estate broker to name the three most important factors in buying a property, and he'll say: "Location, location, location." Now ask him to name the chief justice of the United States Supreme Court, and he'll say: "Location, location, location." This tells us that we should not necessarily be paying a whole lot of attention to real estate brokers.
I get a fair amount of time between projects, which is great. It takes me awhile to start getting nervous about getting another job again. I don't mind having a lot of down time. I'm pretty lazy. So I really don't mind it. But I'm lucky; I work fairly steadily. I'm lucky that I've managed to do that.
'Go Back Home' encompasses not only actual geographic location but also, for me, back home in the worlds of music and theatre, and back home in terms of making albums again. There are lots of meanings to that.
We shot on location in our very first weeks, in our very first shows. I would like to go on location again, Hawaii would be good!! But normally, we tape five days a week in the studio starting at about 8:00 a.m. and continuing until about 8:00 p.m.
When I was a kid, probably 16 or 17, I got spotted by a model scout that wanted to represent me, and they sent me one modeling job, for Wall's ice cream. I did one job for them, and then a catwalk shoot for Kangol caps, and decided modeling was not for me.
I'm constantly saying that I have bad hair days when I'm in New York. It's so hard. I've been lucky enough to jump immediately into a car, head straight to the location, and stay in the air-conditioning.
Working on location is ideal because you enter the character and the story. Shooting at a studio near home, there's a certain split. But on location, you forget the real world, and when you come back to reality, just going to the market can be traumatic.
Real estate is the key cost of physical retailers. That's why there's the old saw: location, location, location.
The three most important aspects of debugging and real estate are the same: Location, Location, and Location.
Even in a bad market, location, location, location is a way to still buy and sell property.
When you do movies on low budgets, you don't want to have a location that requires a very big light right outside the window when you're 10 stories up. You have to find a location where you have a terrace outside, or you can light from a second floor, or you can light through the windows for daylight.
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