A Quote by Jessica Hecht
Often if you are very, very close with someone, sometimes it does not read. In effect, your dynamic onstage is defused. You share too much onstage. There's sort of a blurring of behavior that doesn't read to the audience as chemistry.
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Whenever I realize I'm being a goofball, I write it down. When I release the joke onstage, I love watching the effect it has on the audience. No one wants to see someone talk who takes themselves too seriously.
I feel like, anytime I'm onstage, I tend to feel very connected with people in the audience or with the sort of heartbeat or tempo of the audience.
When you sing opera you are very far from the people, you are onstage, and between you and the people there is the orchestra. So you have to launch your emotions very, very far. When you sing pop, you are singing very close - the microphone is very close to your mouth. You can whisper your emotions into the microphone.
Sometimes, occasionally, people will make out in the audience, completely not aware that there's a human being onstage just yards away from them, who can see them. Sometimes people think that you're on television while you're onstage, so you're not even a person.
Our moment had passed somehow. I was different. He was, too. Without our “madness” to unite us, there wasn’t anything much there. Or maybe too much had happened in too short a time. It’s like when you take a trip with someone you don’t know very well. Sometimes you can get very close very quickly, but then after the trip is over, you realise all that was a false sort of closeness. An intimacy based on the trip more than the travellers, if that makes any sense.
Jazz onstage is a very intimate exchange between everybody that's onstage.
Sometimes I think I'm more comfortable onstage than I am in my own room. When I get onstage, it's kind of like your chance to let go and be something that you're not maybe. It's your time to dream.
Being a dancer I've got the idea that through discipline and hard work, you can develop the ability to be in a different dimension within seconds. You can be vomiting, you can detest who you are, detest the world, detest every single thing, and the next moment you are in the light and you glow. You forget everything, and you are just flying. When you're onstage, you are someone else. Beyoncé is very conscious of this. She said to me, "I'm another person when I'm onstage." And I said, "Oh yes, you are! You are an animal when you are onstage. You are a stage animal."
Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.
Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene together later. I can do things onstage that I would never do in real life. It's very freeing.
When you're doing a play, you're onstage, there's no stopping or starting, there's no stopping to reposition for the camera or have a check done. You're there 'till the end of the show. What that gives you is a great gift, which is to command the audience, and you get to play with your script and your fellow actors. Every night, it's different. Hopefully it goes well and you get a great response. But the technique that you have to have on film or television is so delicate. It's fine-tuning. That is very different from being onstage, but they both have important skill sets.
I am very active, ... I like to ride horses. I golf. I perform onstage. I am a madman onstage.
Some people love being onstage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking onstage.
I've read a couple of things that I was sort of close to having a nervous breakdown. But I don't think I was. I was very, very tired. It was a really difficult time.
Onstage, it's all just a heightened and more elaborate version of me. When you're standing onstage, your adrenaline is going, your enthusiasm is at full tilt, and the excitement helps elevate you're attitude. I've always wanted to be as close to myself offstage, being funny with my buddies, and that's what I've worked hard on - being authentic to who I really am.
Whenever there's an interview with me, I might read it, but I don't read the comments because they're so hateful sometimes. When someone writes something nasty, I just think, "If that's your contribution to my day, I really don't need your impoliteness." I'm lucky that people are very cool with me and I get a lot of love. I appreciate that.
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