A Quote by Jessica Hische

To be a good artist / letterer / designer / guitar player it takes practice. A lot of it. More than you can even fathom when you're starting out. — © Jessica Hische
To be a good artist / letterer / designer / guitar player it takes practice. A lot of it. More than you can even fathom when you're starting out.
At some point, I had to make a decision: I could practice more and become a really great guitar player or I could work on writing better songs. There are only so many hours in the day, and I found writing songs more fulfilling than working on becoming this virtuoso guitar player.
All the really good guitar players - Jimi Hendrix, Jimmy Page, or even Bert Jansch or John Martin - I love all those people. But I didn't start out thinking that I would be a guitar player. In the beginning, I played the guitar so I could sing. I mainly concentrated on my voice.
My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player. One of my earliest memories is him kind of forcing a guitar on all my brothers and me. You know, "You have to practice three hours a day!" I hated guitar at the time. I kind of picked up trumpet to spite him.
For a female artist, it takes a lot more to be taken seriously if you're not sat down at a piano or with a guitar, you know?
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
Growing up, I was listening to a lot of Metallica, a lot of instrumental guitar music because I started out as a guitar player.
I do a lot of the stuff that I started out doing that I think any guitar player that's concerned about the craft needs to do. It's basic practicing of the basic elements. I try to practice like a well rounded regiment of things where I can kind of do whatever I wanna do and I also have to practice the actual songs to keep that under my fingers as well.
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
When it came time to hire a guitar player ... I didn't even have to think about it ... Mike Bloomfield was the best guitar player I'd ever heard.
In high school, I decided I wanted to learn guitar, so I picked it up and starting teaching myself some basic chords and started playing with friends. Guitar inherently lends itself to be guitar music, especially when you're not good at guitar.
Anybody who's a guitar player that's spent that time with another guitar player, there's nothing better than that.
I didn't know how to play guitar until I was 21, but from the moment I was good enough on guitar to even put one song together, I kind of billed myself as an artist.
I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out.
I probably spent more time as a kid playing air guitar to Jimmy Page than any other guitar player.
It was more freedom than I think most people get when they're starting out - or even when they're not starting out. He [John Cassavetes] did his thing and I did whatever I thought.
A lot of guitar players get stuck on a person ... before they find out who they really are ... every guitar player should remember be yourself - just let it rip.
This site uses cookies to ensure you get the best experience. More info...
Got it!