A Quote by Jessica Lange

I love men. I've always been drawn to poets, artists, and madmen. Sometimes all three in one — © Jessica Lange
I love men. I've always been drawn to poets, artists, and madmen. Sometimes all three in one
I think all the poets and artists have always written for peace and love, and it hasn’t changed much in the last two or three thousand years. But we hope.
I've always been drawn to artists who paint for the everyday person. I love the American illustrators.
Almost all the noblest things that have been achieved in the world, have been achieved by poor men; poor scholars, poor professional men, poor artisans and artists, poor philosophers, poets, and men of genius.
I've always been drawn to love stories. Growing up, I would devour films like 'Moonstruck,' 'Ghost,' 'Love and Basketball,' and 'Love, Jones,' replacing the lovers in my imagination with two men.
Nearly all men and women are poetical, to some extent, but very few can be called poets. There are great poets, small poets, and men and women who make verses. But all are not poets, nor even good versifiers. Poetasters are plentiful, but real poets are rare. Education can not make a poet, though it may polish and develop one.
I think you're always drawn to what you love, and I'm always really drawn to things that feel really real and really true to me. I love things that make me think of things in a way I hadn't, and I love looking at people in the world in a way that I hadn't. And sometimes big, huge stories do that for me, but I think I am drawn to smaller ones.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
All men are mad in some way or the other, and inasmuch as you deal discreetly with your madmen, so deal with God's madmen too, the rest of the world.
For far more marvelous is the truth than any artists of the past imagined it. Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?
Metamorphosis has always been the greatest symbol of change for poets and artists. Imagine that you could be a caterpillar one moment and a butterfly the next.
We painters use the same license as poets and madmen.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
I am always drawn to men that are funny. I do not know why. But I am always drawn to people that are struggling with parts of themselves... But it's like in the end, there has to be confidence.
Ultimately, it comes down to taste. It comes down to trying to expose yourself to the best things that humans have done and then try to bring those things into what you're doing. Picasso had a saying: good artists copy, great artists steal. And we have always been shameless about stealing great ideas, and I think part of what made the Macintosh great was that the people working on it were musicians and poets and artists and zoologists and historians who also happened to be the best computer scientists in the world.
The real giants have always been poets, men who jumped from facts into the realm of imagination and ideas.
It has been a pleasure to play with all these artists. Pretenders was a real highlight, but also Damon, aka Badly Drawn Boy, Sinead... Ian Brown... all of these people I learn from and love to work with.
This site uses cookies to ensure you get the best experience. More info...
Got it!