A Quote by Jessica Lange
It comes down to something really simple: Can I visualize myself playing those scenes? If that happens, then I know that I will probably end up doing it.
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I would tell most young people that in life you can go through many difficulties, but if you know what you want to do, if you can focus, and work, then in the end, you will end up doing it. No matter what happens, if you don't give up, you will still succeed.
I'm really into the idea of playing sit-down drums again. I don't know if it'll end up that way, but as of right now, that's what I'm interested in doing.
When I was in acting class, we did a lot of really serious scenes, and we didn't do comedic scenes. I felt like doing those scenes, it didn't come out of my mouth the right way. I don't know if it's because my voice is different, or what it is about me, but it just seemed a little off.
If I'm not writing about myself, then I sit down with people I really dig writing with and throw 'em out and see if something sticks. Their brain plus mine hopefully will make something interesting and cool and it will just snowball and we'll have a unique song by the end of it.
Somebody comes to your house. You know they're coming, so it's not a surprise. And they give you an envelope that has your scenes in it. And they sit in the car outside for a half an hour while you read your scenes, then they ring your doorbell and you give your scenes back. Then you shoot the movie a few weeks later or something. The next time you see your scenes is the night before you start shooting. I never read the script [Blue Jasmine], so I didn't really know what it was about.
When I get in there, I'm not really worried about scoring. I'm just worried about playing as hard defense as I can play, making my opponent work, and then I know the offensive end will open up for me. I've been a scorer all my life, so that's what I try to pride myself on. It feels good.
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
There's obviously some appeal in scenes for me - there's something I respond to. I keep doing those films where I put myself out there like that. I guess I look for those kinds of moments and I pride myself on being an actor who will do just about anything for a laugh - so long as it's within context of the scene in the movie and it's not gratuitous. I have to feel it'll make people laugh.
42. Most people will spend their lives doing jobs that they don't particularly enjoy, and will eventually save up enough money to stop doing those jobs just in time to start dying instead. Don't be one of those people. There's a difference between living, and just surviving. Do something that you love, and find someone to love who loves that you love what you do. It really is that simple. And that hard.
I visualize myself winning the Olympic Pentathlon, inventing a phone that can be controlled by brain waves, or doing the laundry. I do not actually DO these things, but I see myself doing them, and that is almost MORE satisfying, because I am also lying down.
All I really know in nonfiction is that when I come home, I've got all these notes and I'm trying to figure out what actually happened to me. I usually kind of know what happened, but as you work through the notes, you find that certain scenes write well and some don't even though they should. Those make a constellation of meaning that weirdly ends up telling you what you just went through. It's a slightly different process, but still there's mystery because when you're bearing down on the scenes, sometimes you find out they mean something different than what you thought.
My favorite nights out are the most random ones - when they start at a bowling alley and end up someplace you don't even know where. Those are my favorite - the most random ones that you don't plan, when you meet up with friends, and you're supposed to do something and end up doing something else.
I sometimes try to write something that is actually really simple and I can't do it. So, then, it's not simple anymore. It's really hard and it gets all messed up. I sometimes sit down and try to write a song with just three chords and it doesn't work.
If you're not judging what happens, then you're trusting what others are doing, what you're playing, and trusting what you're playing.And it can lead you to other ideas, to something maybe you hadn't expressed before.
I've had to really teach myself that when you're not feeling it, you shouldn't write anything down because you're going to end up coming back and re-writing it later. Whereas, if you write when you're feeling something, when you're really in the streak, then that's when you're going to get your best stuff.
Hospitality is present when something happens for you. It is absent when something happens to you. Those two simple prepositions - for and to - express it all.
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