A Quote by Jessica Lynch

I try to dream about peaceful things, beaches, that is what I cannot understand. Why are they chasing me? — © Jessica Lynch
I try to dream about peaceful things, beaches, that is what I cannot understand. Why are they chasing me?
Sometimes when things are particularly bad, my brain will give me a happy dream. [...] When I fully awaken, I'm momentarily comforted. I try to hold on to the peaceful feeling of the dream, but it quickly slips away, leaving me sadder than ever.
The key research I usually apply that allows me to understand the roles that I take on, starts with the script in front of me, and what it offers. I try to absorb as much of it as I can, in the time that I have to study it, and I like to change things up, if I have a choice in the matter... and I usually don't. I dream on it, write about and find out who the individual is, and try to bring him to life with as much human and truth as I can.
It's hard to understand the life that I live and rationalize some of the things that I do. I don't need someone questioning every move that I make, asking me why I don't just relax. When there's no one asking me those types of questions... to me, it's peaceful.
I really don't understand jelly shoes - those see-through, glittery, sandal-type things that girls wear. I cannot, for the life of me, understand why they were ever popular.
If you are uninterested in what I say, there's an end to it. If you like what I say, please try to understand which previous influences have made you like it. If you like some of the things I say, and dislike others, you could try to understand why. If you dislike all I say, why not try to find out what formed your attitude?
When I get home and people ask me,'Hey, Hoot, why do you do it, man? What are you? Some kind of war junkie? I won't say a goddamn word. Why? They won't understand. They won't understand why we do it. They won't understand that it's about the men next to you. And that's it. That's all it is.
You have to dream things out. It keeps a kind of an ideal before you. You see it first in your mind and then you set about to try and make it like the ideal. If you want a garden,-why, I guess you've got to dream a garden.
Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand.
I try to remember the things that keep me peaceful, happy, and compassionate. I constantly write notes on my phone about little discoveries I make in terms of perspective and habitual thought patterns. My memory seems to let me down, so this really helps me.
I've been chasing my music dream for a very long time and the acting dream just came up. But there are musical things I want to show the world, so that's my next step.
People come to L.A. because they're chasing that dream of a better life. That's why I came here, because I thought it would be a place where I would find other people like me; people who wanted to write, people who had a dream of being something else. And that proved to be true.
Sometimes I have a very bad point of being too obnoxious. I am not too obnoxious. I mean, I just try to make things more peaceful. Me being obnoxious makes a lot of things more peaceful.
Everyone wants to understand art. Why not try to understand the song of a bird? Why does one love the night, flowers, everything around one, without trying to understand them? But in the case of a painting people have to understand. If only they would realize above all that an artist works of necessity, that he himself is only a trifling bit of the world, and that no more importance should be attached to him than to plenty of other things which please us in the world, though we can't explain them. People who try to explain pictures are usually barking up the wrong tree.
Somebody insults you and you feel anger. Don't miss this opportunity; try to understand why, why this anger. And don't make it a philosophical thing. Don't go to the library to consult about anger. Anger is happening to you -- it is an experience, a live experience. Focus your whole attention on it and try to understand why it is happening to you. It is not a philosophical problem. No Freud is to be consulted about it. There is no need! It is just foolish to consult somebody else while anger is happening to you. You can touch it. You can taste it. You will be burned by it.
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it.
Back in the day, even if they were singing about the same things, each artist was unique. That's why I try to stay away from the big-name producers, so I can prove that it's not about the producer, it's about the artist. A lot of R&B artists have gotten away from being artists and are just chasing after the next hot producer and it all starts to sound the same.
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