A Quote by Jessica Mendoza
I'd had colleagues tell me, 'You should be calling games.' But to actually have a producer call me and say, 'We want you in the booth,' I was like, What?
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Do you ever leave a message for somebody and the answering machine cuts you off, and you have to decide whether you should not call back, or call back and appear like a stalker? "Hi. It's me again. I forgot to tell you that I'm going to kill you. Because I'm the freak who keeps calling and calling."
My rule is, whatever you were calling me four years ago is what you should be calling me now, because I don't like it when my family or close friends call me Nicki Minaj. To me I'm not Nicki Minaj when I'm with them.
My friends like to play as me in the baseball games, and they call to tell me about every bag I steal. And you know, every time a new game comes out, I check to make sure my speed is up to par. But to me, when you talk video games, you're talking 'Madden.'
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I chose the name "Padded Room," because, when I'm in the booth, it would be the padded room. When I'm in the booth, I can say a lot of things and speak about a lot of things that normally I wouldn't be able to speak about to a friend or to family or to a crowd. A lot of times, the things that I say, if you had to categorize it, they would probably call me nuts or crazy. So, you add that aspect of "The Padded Room," which would be almost like an insane asylum.
I got a call from Tom Hanks, who directed That Thing You Do!, when he was done cutting that film. I was like, "Oh, my god. Tom Hanks is calling me. This is amazing!" And then, of course, he was calling me to tell me that I was barely in the movie. But I'll never forget it - and this is why he's Tom Hanks, because he's got such a way with words.
I can't tell you how many times I've had a friend tell me, in this tender and discreet voice, 'It's just you and me bro, and I want to tell you the truth: make a record of you and an acoustic guitar. Please. That's what everybody actually likes.' That's so funny to me.
The thing video games had to learn was to write, which is not to let people choose their own stuff, but actually prescribe it. To say, "This character is not a blank canvas that you can project onto. I'm going to tell you what this character is like. And I'm going to tell you what happens to them. You're going to feel involved in other ways." Video games made the mistake of thinking everything had to be projectable, and this doesn't do that at all.
Black people still call me Prince. Sometimes I ask them, "Why do you call me Prince?" And people say, "Because you are a prince to us." Usually when they say that, you know my heart goes out and I have to say, "I don't mind your calling me that."
Long before 'American Idol', people used to call me a diva. And I be like, 'Hold on, are you calling me something else on the sly? You gonna call me a diva, call me a good diva.'
Long before "American Idol" people used to call me a diva. And I be like, "Hold on, are you calling me something else on the sly? You gonna call me a diva, call me a good diva."
The Vince McMahon tell me I am the best Middle Eastern wrestler ever. He tell me I need new name to show how strong I am like the iron. He want me to become like the Shah. He call me the Sheik.
I have no patience with people who want to tell me what's wrong. I only want to hear from the person who first tells me the solution and then fills me in on the problem. I don't want to hear that your basement is flooded. I want to hear that you've found the number to the cleanup company. Then tell me why you're calling them.
I don't like albums; I like projects. I want to tell a story - I don't want to limit myself to 10 songs or four songs or whatever. I just tell a story and I want you to feel something. If it took me one song or if it took me four, call it however you want. So I call them projects.
An actor like me hardly ever sees a producer. My agent will say, how about Coogan for the part. The producer will say yes. So you never see the producer.
Usually what happens is somebody grabs me and they always pull me off to the side. Nobody ever does it publically. They say, "I didn't want to be here." Or, "I don't usually like people like you." Or, "I didn't believe the things you actually talked about would work. I'm here to tell you that you converted me." That happens a lot.
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