A Quote by Jessica Mendoza
I've learned to not forecast anything beyond the year, because when I went to Stanford, I originally wanted to be an orthopedic surgeon. So it's just hilarious to look back at all of the things I wanted to do.
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I always wanted to be a surgeon, because I had a lot of admiration for my father, who is also a surgeon. I also wanted to be a heart surgeon. That was motivated by the fact that my young aunt, a sister of my dad, died in her early 20s of a correctable heart disease.
Have you never wanted to do anything that was dangerous? Where should we be if no one tried to find out what lies beyond? Have you never wanted to look beyond the clouds and the stars, or to know what causes the trees to bud? And what changes the darkness into light? But if you talk like that, people call you crazy. Well, if I could discover just one of these things, what eternity is, for example, I wouldn't care if they did think I was crazy.
When I was little, I wanted to be a doctor. I was really interested in gore. My grandfather was an orthopedic surgeon and he had a lot of books in his library that I would just pore over. A lot of them had really horrible pictures of deformities.
What I wanted was just to make music, and so, originally I just wanted to hide behind the album cover of the last record, and I wanted it to be almost anonymous.
I just wanted to make more of a lifestyle record instead of anything else. I wasn't trying to do anything mainstream or nothing like that. I wanted to speak on this time period where I was fed up with a couple things and I had an idea of what I wanted to do.
I originally wanted to be an astronaut when I was a kid. Then I had this huge fear of black holes because my brother learned a bunch of stuff about it, and he's like, 'Oh, yeah, if you go into one you're never coming back.'
I wanted it not to be true. I wanted it not to be her plane. I wanted it - I wanted, if it was her plane, to have somehow survived because she was in the back of the airplane. But we know that doesn't happen, not with those sorts of things.
Everything I learned about women, I learned from the ages of 13-16. Every girl would talk to me about their problems, and none of them wanted to date me. So, I learned all of these things. So, when I finally got to the place where I could hit on girls, I just referenced back to all the things that I learned in high school.
My brother and I always intended to get back into acting. We just wanted to take a break because, I think, coming off of the seven-year run of 'The Suite Life,' we wanted to detach ourselves from that idea a little bit.
At the time I learned drums, I wanted to be the drummer of Hanson. I wanted to be this guy because he was so young, and he was already drumming in the band, you know, so I just wanted to be like him. And later, I discovered hip-hop music at boarding school.
I wanted to start something in New York that focused on making products locally and, because I'd just had my second child, didn't want to be traveling halfway across the world anymore. Originally, I wanted to open up a gallery space and sell things like cushions or blankets that didn't have a season, and have friends or artists contribute.
I originally read for the roles of Debra and Rita [in Dexter], because they didn't know what direction they were going in, and I worked so hard on Deb, because I just wanted to swear. I wanted to say all those nasty words. That was it: "I want to swear on television!".
I had a scholarship to Stanford because I won three California Speech tournaments. Before I started Stanford, I told my mother I wanted to take a bus into Hollywood and see if I could get an agent.
I floated around in the department of biochemistry and learned some interesting things, and then I began to... I never wanted to work with a mentor because I always wanted to have my own reputation and be free to do what I wanted to do. So I worked with the weakest people in the department. Don't make that public.
I went to high school in Texas for one year, my senior year. My parents wanted me to get out of Stockholm because I was running with the wrong crew. They wanted me to get back to my roots.
I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewhere where things could happen and the subject wasn't just looking back at you.
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