A Quote by Jessica Origliasso
We're huge fans of Kylie Minogue, Grimes, and artists who are doing more electronic music.
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Kylie Minogue is the greatest thing that has happened to Australian music.
I think Kylie's underrated... Cool is knowing yourself and I think Kylie Minogue really knows who she is and doesn't try to be anything else.
Australians have more fun. They just do. I guess I should not be surprised by this fact given that this is the place that birthed both Hugh Jackman and Kylie Minogue.
There have been a lot of strong women who have had a huge influence on my career. I'm working with Imelda Staunton at the moment and she's definitely one of those women. And I would include Kathy Burke, Alison Steadman, Kylie Minogue and Catherine Tate as well.
Kylie Minogue is just a demonic little idiot as far as I'm concerned. She gets cool dance producers to work with her for some bizarre reason, I don't know why. She doesn't even have a good name. It's a stupid name, Kylie, I just don't get it.
In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.
The place of electronic music, culturally and socially, is today completely different - it is now everywhere, and it has been totally accepted. Consequently, there is now a younger generation that is more focused on making great electronic music, good parties, and having fun, where there is not any more so much need for cultural and ideological statements in electronic music itself.
The name Kylie can be used for Scrabble, as it is an aboriginal word for boomerang. Which is why Ms Minogue is so good at comebacks.
What the strength of events like Ultra have shown us is this thing we call, 'electronic music,' is not a passing trend, but a big industry of passionate artists, event organisers, fans etc.
People don't really know about 'Neighbours' in America, and if they have heard of it, it's only in the context of 'Oh, sure, that's what Guy Pearce was on', or Kylie Minogue.
I downloaded a Kylie Minogue album and it had all the classics like 'I Should Be So Lucky' and 'Locomotion.' I'm not even ashamed to say I love it, I'm proud.
Incredibly, I've been mistaken for Kylie Minogue many times. People look at me, and you can see them thinking, 'She's somebody - but I don't know who.'
You've got to do features with the right artists that you can take some of their fans, and their fans start doing their homework and see what you're doing, if they like what you're doing.
When I was a kid, I always had a big thing for Dannii Minogue. Initially I liked Kylie, but I quickly moved on to Dannii. There was always something more alluring about her. I think I actually wrote to her asking if we could meet.
With electronic music it's often a little more hidden - the relationship between gesture and sound - which makes it confounding for audiences. But the ingredients of electronic music are the same ingredients of nonelectronic music.
Pop should be weird, and I realize as I say this that I'm not the weirdest person in the world. But if that means a girl sounding like Kylie Minogue and looking like Kurt Cobain, then so be it.
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