A Quote by Jessica Origliasso
As songwriters, we can go in and write for other artists in a time where you aren't necessarily feeling inspired for yourself.
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(W)hat I write when I force myself is generally just as good as what I write when I'm feeling inspired. It's mainly a matter of forcing yourself to write.
Like I say, I'm always writing and if something sticks, it sticks. I get to write with great songwriters in town. Lori McKenna is one of my all-time favorite singer-songwriters who's ever walked the planet. I get to write with her. The Warren Brothers are friends of mine and I write with them all the time. Lance Miller is a great songwriter. Tom Douglas - you can't get any better than that. I write a lot of stuff but it's got to stick.
People who aren't artists often feel that artists are inspired. But if you work at your art you don't have time to be inspired.
I find artists like Tim Barry, Cory Branan, and Jenny Owen Youngs, these current artists that are doing what they're doing now are my idols, my generation's incredible songwriters. I've listened to so much music on the whole ride and I'm inspired by a lot of classic artists, but it's the people right next to me singing songs that are blowing my mind, if that makes any sense.
Artists aren't necessarily business people. And they aren't necessarily aware of all the things that go on in their names. Some just want to make some music, but there is a lot of greed
among artists as well. Whether or not we know it, we are all to blame. I think it's time - starting with the artist - to try to be a little more responsible and aware of what goes on in our
name.
Every time I'm feeling anxious, I go to my little meditation corner in my room and write down whatever I'm feeling. If I'm feeling terrible, I write that I'm feeling terrible and I accept that and I keep going, but I'm not going to wallow in that moment.
I don't write thinking directly about what I'm feeling, usually. I just let myself write whatever comes out without it necessarily being directly a translation of what I'm aware that I'm feeling, you know?
As songwriters and artists we get a lot of attention and gratification when we write about the moments that have hurt us, and in turn, sometimes we'll seek out more hurt so we can write more things that people like.
I count myself as not only just an artist, not only as a singer, but a business woman. I write my own songs; I write my own video treatments, manage other artists. I write for other artists; it's not just about getting on stage and singing a song.
I think I'm inspired mostly by other artists that aren't actors, like writers or singers or artists, for being so brave.
The songwriters whom we think of being the greatest songwriters usually write one hit and six or seven flops.
I never sit and fill a journal with lyrics. Most of the time I'm trying to write a feeling, not a story. I'm not necessarily trying to describe the details of a place or event so much as the feeling of the thing. It is a kind of weird alchemy that is elusive until it feels right.
There are a few songwriters in bands I really relate to that write a certain type of joy, because a lot of artists don't really write joy. It's a thing only a few people do.
I'm writing all the time. I want to do this forever. I want to have a box set someday. I can't stop. The day I stop being inspired to write songs, I'll go sit on the beach - until I become inspired again.
I think the most important lesson isn't necessarily to try and write a different book every time, or to try and brand yourself and write one specific kind of book, but to write the kind of books you love to read.
What you have to do is disavow yourself from any sense other than ascendancy. That's the only direction you could possibly have towards painting. There's no other direction at all. There's no other space in art. There's no other way in which you can find yourself except in somehow feeling it. And by holding to this feeling you can once again reach out and guess and miss - and sometimes hit.
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