A Quote by Jessica Origliasso

It's hard for new artists to keep hold of what they own. — © Jessica Origliasso
It's hard for new artists to keep hold of what they own.
I don't know if there are artists out there who love their own records. I haven't met any, and I'm kind of extreme in the other direction, but therein lies the impetus to keep working and keep making new songs and new records.
I came at a time where male artists where dominating, so I had to do something quick to get people's attention. I wanted to let people know that women artists can hold their own compare to the men. Sex got their attention, while I open the road for the other female artists.
Information is a lot like water; it's hard to hold on to, and hard to keep from leaking away.
I feel like that I'm learning all the time. I'm learning from new artists, from established artists... every time I listen to '70s rock 'n' roll records, I'm learning. And I think that I'm just now starting to get a hold on what I do.
Admittedly, it is really our duty, as artists, to hold up a mirror to our own era; but, on the other hand, these works have lives of their own, and they're still alive today.
To get to New Orleans you don't pass through anywhere else. That geographical location, being aloof, lets it hold onto the ritual of its own pace more than other places that have to keep up with the progress.
but sometimes one person can hold you up in life, keep you standing, and without that hand to hold, you can find yourself free-falling no matter how strong you used to be, no matter how hard you try to remain steady.
Artists in general never stay in the same place; we keep growing. It's still you: you still have that core that you always had, but you work with new people and hear new things.
Artists in general never stay in the same place, we keep growing. It's still you, you still have that core that you always had, but you work with new people and hear new things.
My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.
But I'll tell you something else, too. Something I've learned, the hard way. I guess"—Gram laughed a little—"I'm the kind of person who has to learn things the hard way. You've got to hold on. Hold on to people. They can get away from you. It's not always going to be fun, but if you don't—hold on—then you lose them.
As a new artist, you come out, and there are so many other new artists. It seems like there's a whole wave of new artists that come along every year. In '05, I was part of the crop. It was a lot harder trying to set myself apart from the rest of the pack.
It's a burden trying to keep a secret. It's hard. It probably takes more out of you trying to hold it and keep it than it does for you to really let it out.
Everyone has to work hard, there is no short-cut. If you keep working hard there are a lot of musicians on a lookout for new voices.
Sometimes it's hard to listen to new music and get motivated, because it's elementary to me - no disrespect to new artists, because that's where we started, too. But it's like they're way back there in first grade, and I'm in college.
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