A Quote by Jessica Raine

My principal at RADA once told me, 'You'll know you're a professional when you don't feel like doing it but you have to do it.' — © Jessica Raine
My principal at RADA once told me, 'You'll know you're a professional when you don't feel like doing it but you have to do it.'
I want you to know who I am: what the streets taste like, feel like, smell like. What the cops talk like, walk like, think like. What crackheads do - I wanted you to smell it, feel it. It was important to me that I told the story that way because I thought that it wouldn't be told if I didn't tell it.
That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.
I feel like songwriting changed from something that I liked doing to something that, I feel, is a very important outlet for me to digest all the things around me. Once I put thoughts into a song, I can let it go, it doesn't bug me anymore you know what I mean? It's kind of a catharsis.
My principal once told me that I was a penny waiting for change. But I suspect that I irritated him probably because I was making more money than he was.
My first sales assessment, they tell you your strong points, and they told me I was the emotional salesman, the one who could really connect with people by making them feel comfortable. Once someone told me that, I couldn't get past how manipulative it made me feel.
I don't relate to people that look like me. I find it deeply unsatisfying to play a version of myself. It was something I had to figure out really early on, when I was at RADA, because I was being cast, over and over again, as the young, virginal thing. When I left RADA, I was on an absolute mission to never wear make-up.
When I first started with 'Twilight,' I didn't have any experience. I didn't know what I was doing. So I was pretty intimidated by the editors and the publishers, and I felt like I was a kid in school with the principal telling me what to do! It was hard for me.
Someone once told me we have in our minds who we want, and often those aren't the people we actually want. Like, once there was a girl I thought was perfect for me - I had every box checked with her. But I just didn't feel anything.
I still feel like I don't know what I'm doing. Like, I'm unsure of what my life will be like. I mean, I have such an obsession with making movies that I probably will always do that. But sometimes my life can feel so suffocating, and then it can feel so massive, like I don't have a handle on it at all, and I don't know where it's going or what I'm going to do. Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.
Being a professional is doing the things you love to do, on the days you don't feel like doing them.
It's not like once you achieve success, you're done, you know. It's like, still enjoy doing what you're doing, that's the key for me.
Grandma told me Mama was once caught by the Principal for writing in the front of her book, "In Case of Fire, Throw This in First." I have never had so much respect for Mama as the day I heard this.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
I went to London to do the stuff. I was like "What am I going to do? What's going to happen?" But then once you start working, you forget all that and you start enjoying what you're doing. Once you enjoy the process, you know that people are going to do the same thing. If you don't enjoy it and just do it like a job, then it's going to be feel that way. That's my theory of doing a movie.
There's a great quote by Julius Irving that went, 'Being a professional is doing the things you love to do, on the days you don't feel like doing them.'
I wondered where the person was who had taken my place, who wanted to know what news people had been told. I'm always looking for the person who replaces me, who thinks the things I do, who fills in for me when I'm not there. I know there is someone younger than me doing what I did and someone older doing what I will do, and someone my age being just like me.
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