A Quote by Jessica Raine

My first acting experience was a non-speaking role as a robot. My costume was a cardboard box covered in tinfoil, but I was so shy I refused to go on stage. — © Jessica Raine
My first acting experience was a non-speaking role as a robot. My costume was a cardboard box covered in tinfoil, but I was so shy I refused to go on stage.
I was never a villain on the stage. I always played strong, sympathetic types. My first stage role with a speaking part, believe it or not, was as a priest. It wasn't until I began acting in films that the producers and directors saw me primarily as a bizarre villain.
My first playpen was a cardboard box.
I got into modeling first, then acting came along pretty soon, and I landed my first role in a Korean drama without education, without any acting experience whatsoever.
I was applying to the art school, but there was a checklist that said I had to do either production design or stage management or acting. I thought, "I don't want to be an actor, but I know production and stage management take acting classes" - this is literally my internal monologue. I was like, "Designers don't have to take acting classes. Cool. I'll check that box".
I've never done a lead role in a film this big [like Doctor Strange], in a franchise this big. One of the reasons was, I wanted to know what the toy box was like. And it's just insane, the amount of facility that everyone gets, but the amount of artistry and craft that's brought to every aspect of filmmaking. I mean, you go to your first costume fitting and it's one of thirty. It's a myriad, but it's for a reason. There are so many incredible costumes in this.
They are born, put in a box; they go home to live in a box; they study by ticking boxes; they go to what is called "work" in a box, where they sit in their cubicle box; they drive to the grocery store in a box to buy food in a box; they talk about thinking "outside the box"; and when they die they are put in a box.
My first tape piece was made with that Sears Roebuck recorder. I modified sound using cardboard tubes with a microphone in the end to filter the sound. I had a wooden apple box with a Piezo [contact] mic and little objects that I could amplify on the box. I used the bathtub for reverberation.
Then, finally, the third year, begging the parents, I got the Superman Halloween costume. Cardboard box, self-made top, mask included. Remember the rubber band on the back of that mask? That was a quality item there, wasn't it? That was good for about 10 seconds before it snapped out of that cheap little staple they put it in there with.
I was 26 when I went to my first acting class. I'm naturally quite shy. I'm a quite private person. There's this really strange acting class in New York called Black Nexxus. For someone who's slightly shy or self-conscious, it's the most frightening thing you can do.
I began acting on stage when I was 7 years old. My first role was as Dorothy in 'The Wizard of Oz' at Chicago's Center on Deafness in Northbrook, Illinois.
Acting is therapeutic. I say I'm not shy, but... Acting is a very vulnerable experience, and you've got to be really confident to put yourself out there to be judged.
Now, the big box office successes are superhero stories. It seems there's a lowest common denominator mentality, in terms of movies that are almost purely visual, that anyone can understand anywhere in the world. Good robot, bad robot: they fight. You don't need to know anything apart from that. And then we can make toys that look like that robot - and sell those toys or video games.
Acting in 'Mr. And Mrs. Iyer' was a unique experience. It was the first time that my mother was directing me in a lead role.
I got to live out my 11-year-old fantasies - I got to go on stage with Green Day. Billie Joe called my name from the stage. 'Dookie' was the first album I ever bought. I covered the whole of 'Nimrod' and he'd heard it. That was like the 11-year-old girl dreamed.
My first professional acting job was on 'Boss'. My first acting job was basically my first acting class. I had to show up on set prepared and knowing my lines. Also, I got a chance to work with a living legend, Kelsey Grammar - that gave me hands on experience.
The boys in the office preferred Daft Punk and the song "Robot Rock" as an anthem, speaking excitedly and without irony about wanting to become robots one day. That made me wonder: Why? What's the pull of being a robot?
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