A Quote by Jessica Raine
I grew up just outside Hay-on-Wye, on the borders of Wales, on a farm. It was an amazing childhood, but I got a bit stir crazy when I hit my teens. There was the feeling of having to get out, you know, but it was definitely idyllic.
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I definitely grew up differently to most of my friends, and that was a little bit of a struggle then. I wouldn't want to change anything about the way I grew up, even though it was a different situation. I still love the way I grew up, and I had an amazing childhood with a really supportive family.
It was such an idyllic time when I grew up in Hong Kong. It was a British colony and very much geared towards buying the best of Britain. My childhood does have a huge influence on how we design. There must be a little bit of that nostalgia - childhood is so special.
Farm country -- you know, hay, horses, cattle. It's the ideal situation for me. I like the physical endeavors that go with the farm -- cutting hay, cleaning out stalls, or building a barn. You go do that and then come back to the writing.
I felt I had a very innocent childhood and I feel privileged by that. But as an adult, I know that there were people who didn't have that. There are a lot of teens who haven't had as easy a childhood as me, and having literature that explores these "darker" parts helps relieve the burden and stress they may be feeling. As a writer, there is often a temptation to draw back when we write for teens - to preserve their innocence. But the reality is, if someone has already had that innocence taken in their life, then not writing about it is just brushing it under the rug.
It was a very idyllic childhood, surrounded by utterly beautiful landscapes that I got very, very bored of when I hit my teens. But being on your own a lot and being bored is good for your imagination. It makes it stretch.
I'd rather do manual labor than sit behind a desk. And as my grandparents got older, I'd fly out there and help out around the farm. We'd tear barns down; we'd build barns. I'd rather be outside rolling hay or driving the tractors.
I was one of the many kids in Northern Ireland who grew up in the countryside and had an idyllic childhood well away from the Troubles.
Most of all, I miss that feeling when you go to sleep at night and when you wake up in the morning. It's that feeling that everything is all rightin the world. You know, that amazing feeling that you're whole, that you've got everything you want, that you aren't missing anything. Sometimes when I wake up, I get it for just a moment. It lasts a few seconds, but then I remember what happened, and how nothing has been the same since
When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
It's just so weird coming into the gym and not feeling like, you know, 'I'm going to die.' Before it was like, 'I've got to hit that routine or I'm going to get yelled at.' So it's just been really nice to kind of relax a little bit and be able to really focus on gymnastics and get to enjoy it more.
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work - the hay in the summertime, for example.
On the surface, our lives seemed idyllic. My four siblings and I grew up on a 150-acre farm in Oxfordshire, and spent every holiday at our other house on the Cornish coast.
(Talks about her childhood) I grew up on a Christmas tree farm in Reading, PA. It was the most magical fun childhood. We had grape arbours and we would make jam with my mom. My dad would go to work and he'd come home. He'd clean out stalls and fix split-row fences.
The only way you could replicate the way I grew up, with no access to supermarkets or petrol stations, would be to live on a farm in the middle of Wales.
One thing that I noticed is having met some former Taliban is even they, as children, grew up being indoctrinated. They grew up in violence. They grew up in war. They were taught to hate. They were, they grew up in very ignorant cultures where they didn't learn about the outside world.
There were a couple of times that we did end up moving the set [of Helix] outside to shoot some of the outside scenes, just because we needed a bit more space, and that ended up being a little bit more helpful and easier to breathe, when you're dealing with some of the fake snow stuff. It was a lot of fun, and it looks amazing.
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