A Quote by Jessica Sanchez

The best part of being signed by a major label was having the support of a big company behind me and the ability to meet new artists and producers. — © Jessica Sanchez
The best part of being signed by a major label was having the support of a big company behind me and the ability to meet new artists and producers.
It breaks my heart to see these young, really talented bands getting chewed up into the system. I remember a time if you'd signed to a major label it was such a sell out! But now... unless you've signed to a big label, you're a failure now.
Doing things in my day was simple: you either signed to a big label or you signed to a very small label, and you worked with that one, and then they eventually signed you on to a big one.
When I got signed to the 'Fader' Label, they got really excited about having me as their new artist. They were promoting my music everywhere. Pharrell was one of the producers who wanted to work with me, so I was really lucky to be one of those people who got to work with him.
Being signed to a major label was never an option because I knew having the time to find out who you are without pressure from other people is so important.
There was a moment, a few weeks after I signed, that it actually hit me. I was signed to a major label.
I love having a major label behind me. Independent was really great to start off, as and I made some really big moves and gained a lot of fans.
We're so humbled and lucky to be in a position where we've been a four-piece for over 15 years. We're signed to a major label. We're on our fourth record on a major label. We've won a Grammy. We've toured the world.
My problem was never with the major label, it was with the guy who we put our trust in and then wouldn't take my phone calls once we'd signed to a major label, who then quit.
It seems that for all of the artists signed to a major, there exists the same amount of artists that are struggling to break through to the surface within the label. I think, ideally, we'd end up with a very well connected competent indie team that will be along with us for the ride, however long that ride may be.
For new bands, I think a major label is the safest place to be. Independent labels are the ones getting away with murder. A lot of them are hobbyists who rip-off young bands, taking advantage of people who would never get signed to a major.
My whole life has been completely about being underestimated. I remember when Blink signed to a major label, and we had a debut party for the signing. No one came to party, only the guy that signed us. And I remember sitting there, like, "S**t, no one likes this."
That's the best thing about being with an indie label, it feels like a family. If it's a major label, they put so much pressure on every single.
You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.
Jimmy Iovine, he pretty much started off as an engineer and a producer, and then he started up a label. Then he built his label to have big artists like Dr. Dre and 50 Cent. Then he started up a headphone company and made it a billion dollar business. He's a genius to me.
You know, I'm behind my company. My company has been a big part of my life. And it's not that I been buying a company or that my father bought a company and tried to do something out of it. You know, it's not the same thing. It's my name, it's my company, it's my signature.
I remember in 2016 when I got signed to my record label Good Soldier, which is a very small indie label. They took a big risk on me because ballads were the furthest thing from cool at the time.
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