Because of the Affordable Care Act, millions of Americans finally have the security that comes from quality, affordable health coverage. And, millions more have better, more reliable coverage than ever before.
I moved my business to Mobile Insurance because they simply understand my business better than any other insurance agency. My prior agent didn't really understand my coverage. Mobile Insurance President Kurt Kelley came in and was able to explain those coverage issues in detail to me and my legal counsel. He also saved us money and found us better coverage.
I cater to a viewer because that viewer's taste matters more than anyone else's, and I will keep him first in mind and then, if it also appeals to the critics, so be it.
Obamacare does much more than provide coverage to the previously uninsured - it improves the quality of coverage for all of us. Critical cancer and other health screenings are free. Women and people with disabilities or chronic conditions are no longer charged more - or priced out of the market altogether.
The Affordable Care Act also offered protections that allow for preexisting conditions, as people know, that you're provided coverage and you can maintain steady coverage. And that's an important part of being able to stay in care and do better over the long run.
When you live in America, it's kind of insular - the news coverage that you get - unless you're really smart about it and find more international news coverage.
How do we think beyond interruptive ad formats, and do things that are much more integrated, much more innovative, and actually empower the viewer and give them a better product experience?
When you live in America, it's kind of insular - the news coverage that you get - unless you're really smart about it and find more international news coverage. I've learned that from my husband. In the French culture, they talk politics.
What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
One big, glaring difference I can think of between Iraq and Vietnam is the news coverage. During the Vietnam War era, you had TV coverage of the war saturating the airwaves every night, and that coverage wasn't put through a military filter at all.
An exhibition is in many ways a series of conversations. Between the artist and viewer, curator and viewer, and between the works of art themselves. It clicks when an exhibition feels like it has answered some questions, and raised even more.
We can create more affordable coverage options for all Americans and help patients with pre-existing conditions - without forcing any satisfied Americans to lose coverage they like - through high-risk pools and reinsurance options.
The question of painting is bound up with epistemology, with the engagement of the viewer, with what the viewer may learn.
A lot of the pieces I've done over the years have involved alterations of scale and the idea of the viewer's relationship to the object and how we see things by either enlarging or reducing objects, it causes the viewer to look at them again. It's hard to do because our culture is so bombarded by images and media. How do you make something fresh for a viewer? That's a real challenge.
If to the viewer's eyes, my world appears less beautiful than his, I'm to be pitied and the viewer praised.
As the character changes in the movie, it rubs off on the viewer, so the viewer also goes through that change.