A Quote by Jessica Savitch

Although I was entirely relaxed on camera, if I had to stand up and say something to an assembled group of people, I was rendered all but inarticulate. — © Jessica Savitch
Although I was entirely relaxed on camera, if I had to stand up and say something to an assembled group of people, I was rendered all but inarticulate.
Very often, unfortunately, people may believe something, but they go along with a group of people because they don't have the courage to stand alone or stand up for themselves.
All I kept thinking about was, "Man, he's so relaxed onstage! I'm never going to be that relaxed! I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera."
At the beggining of my career, for me the comedy circuit was a combination of desperation and the fact that it was something I could do. I sort of meandered and really had no idea what I was going to do with my life. I had a go at stand-up, and I was sort of okay at it. I'd say I'm the opposite of someone that has the urge to stand in front of strangers and make them laugh, but the idea of getting up and telling a story and people finding it amusing always appealed to me. So I'd say it was probably more about that than anything.
My style of working is I'll often be behind the camera, or right next to the camera yelling words at people, like, 'Say this, say this! Say it this way!' I'll straight-up give Anthony Hopkins a line reading. I don't care.
I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?".
And I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?"
When I am in the Scottish Parliament chamber, I often feel the need to sit for the entire debate. It's only courteous to listen to what everyone has to say, although I often find myself desperate to say something but too scared to stand up in case I regret it.
I suffered years of criticism. But there was a point in my life where I had to stand up and say: 'I don't care what anybody says about me. I have to stand up for my family, for the four children I had with Bob and the eight he had with other women.'
You're talking about a whole camera crew and being mic'd up professionally everyday and just having another group of people following you around. It's a little different than having friends pick up a camera and follow you around.
I just like to build. Don't get me wrong: I think stand-up is great, and when someone like Richard Pryor or Steve Martin does stand-up, there's nothing better in the world. But I don't want to watch a lot of stand-ups for two hours. So I can do 45 minutes of stand-up and then say, 'Can we do something else now?'
Although by 1851 tales of adventure had begun to seem antiquated, they had rendered a large service to the course of literature: they had removed the stigma, for the most part, from the word novel.
Something I often say is, 'I stand on the shoulders of the people who came before, and I'm ready to lift up people to stand on my shoulders.' And one of the ways we can do that is to hire them.
Demosthenes overcame and rendered more distinct his inarticulate and stammering pronunciation by speaking with pebbles in his mouth.
Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.
For instance, in group therapy, I'll have people stand up, show off, give a speech about themselves as though they've just died and have to give a eulogy. Even with this explicit permission - even an order - to say something nice about themselves, this is the hardest thing in the world for people to do. They'd rather take their clothes off.
The artists who have inspired me the most in my life are the ones who have really had something to say and stand up for. That, to me, is part of being an artist-having the voice to express things that need to be verbalized and brought to light. Unfortunately, I don't think that's a priority for people, because the few artists who do have the nerve to take a stand for what they believe get shut down in a way.
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