A Quote by Jessica Simpson
I get my inspiration from books, pictures, art. I might find a vintage scarf and say, "I think this should be our color palette."
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I've always thought for myself, that's something I want to focus on - color palette and the use of color. Rather than using it in a way that other makeup artists might, I try to enhance the color palette with the girl to really bring out her sickest features and make her look absolutely the best she can.
Our time and attention is scarce. Art is not that important to us, no matter what we might like to believe... Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self image. How we look at art should account for those imperfections and work around them. Keep in mind that books, like art museums, are not always geared to the desires of the reader. Maybe we think we are supposed to like tough books, but are we? Who says? Many writers (and art museums) produce for quite a small subsample of the... public.
In our life there is a single color, as on an artist's palette, which provides the meaning of life and art. It is the color of love.
As long as you work in a color palette and you style what you already have within that color palette, it's going to look good together.
I'm amazed by how angry people get about new art, particularly new sculptures in their town. The people who hate new sculpture usually find their type of art on birthday cards, pictures of a vintage car going round a hairpin bend and suchlike.
Some might say that sunshine follows thunderGo and tell it to the man who cannot shineSome might say that we should never ponderOn our thoughts today cos they will sway over timeSome might say they don't believe in heaven Go and tell it to the man who lives in hellSome might say you get what you've been givenIf you don't get yours I won't get mine as well
The color palette grew as the story progressed. The 1920's sharecroppers were muted and neutrals, the 30's and 40's introduced burgundy to the neutral palette. The 1950's introduced green, black and denim blue, the 1960's introduced orange and heavier more saturated color, the 1970's introduced more primaries, and the fashion palette became more recognizable as a contemporary one from there.
The whole world, as we experience it visually, comes to us through the mystic realm of color. Our entire being is nourished by it. This mystic quality of color should likewise find expression in a work of art.
I don't think kids of color should have to search far and wide to find books that reflect their experience.
I'm not one of those girls who can think, 'Right, I'll put a scarf with that and a little brooch there and maybe a vintage jacket.' I'm so impressed with girls who look terrific in a little thing they picked up at the local charity shop. I just look scruffy when I try to do vintage.
To begin with, I hold that there is never an end; everything of which our life is composed, pictures and books as much as anything else, is a means only, in the sense that the work of art exists in the body of the movement of life. It may be a strong factor of progress and direction, but we cannot say that it is the end or reason of things, for it is so much implicated with them ; and when we are speaking of art we suddenly find that we are talking of life all the time.
I think a perfect-color scarf really brings out your whole skin tone, lip color, and everything else.
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
Most art students are generous till it comes to squeezing their colour on the palette... Many pictures haven't become works of art simply because the artist tried to save a nickel's worth of colour.
I think suspense should be like any other color on a writer's palette. I suppose I'm in the minority but I think it's crazy for 'literary fiction' to divorce itself from stories that are suspenseful, and assign anything with cops or spies or criminals to some genre ghetto.
I think suspense should be like any other color on a writers palette. I suppose Im in the minority but I think its crazy for literary fiction to divorce itself from stories that are suspenseful, and assign anything with cops or spies or criminals to some genre ghetto.
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