A Quote by Jessica Simpson
I think that freshness and that innocence is something that is missing from a lot of female singers. I'm certainly not denying that I'm young, but I'm not fluff.
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I've never associated myself with other singers, certainly not female singers.
I got lot to do at a pretty young age in terms of emotionally challenging films. I did not do any fluff... fluff is not me.
The innocence of children is their wisdom, the simplicity of children is their egolessness. The freshness of the child is the freshness of your consciousness, which never becomes old, which always remains young.
I feel there are tone singers, and there are more vocal gymnastics singers. And I think that's amazing when people can do that, but I think there's room for the tone singers. And there aren't a lot of them.
When I was young, in my early films, the freshness, and the raw element in my presence on-screen was coming from my youth, and that naturally goes away with time. But the challenge of an actor is to retain the wonder and innocence alive.
And that's what innocence is. It's simple and trusting like a child, not judgmental and committed to one narrow point of view. If you are locked into a pattern of thinking and responding, your creativity gets blocked. You miss the freshness and magic of the moment. Learn to be innocent again, and that freshness never fades.
I think I'm making a difference for a lot of young singers.
It's funny: when I was a kid, my mom would reorganize the record collection all the time. She'd have classical, she'd have Celtic, she'd have rock and roll, and then she'd have female singers. And I don't like it that female singers are their own genre.
I want my fluff-fluff! (Bob) Fluff-fluff… (Zarek looked panicked.) (Zarek)
I am one of the few composers who has been lucky enough to manage to do songs with female singers, despite the labels and producers wanting otherwise. They don't believe that songs with female voices can work and often push us to work with male singers.
I always was missing that female brown queer perspective, and I think in 'Vida' we have that. A lot of things I wanted to touch on and deal with, I get to do here.
I think there are people that still hold on that like Heavy Metal like a bit of what is going on now, but it isn't all of what they love and which goes on and it's the same with me... There's still a lot of Ray Charles, Sam Cooke songs that I still happen to like a lot, but then there are a lot of Madonna and... a lot of the female singers that I like as well, but it's like liking it with different emotions, you know.
Qhuinn gave in immediately, as he was categorically incapable of denying the female anything — most certainly not one of her hugs. They were even better than her lasagna.
I've always said that Adele has turned so many people on to British singers - whether female singers or just like music from this country in general.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
My point was the world is missing female characters. A lot of times there is one female character, maybe even a cool one, maybe even an important one. But where are all the rest?
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