A Quote by Jessica Sorensen
Don't be sorry, Callie,' he says with a heavy-hearted sigh. 'You have your own sad story.
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Oh, Callie-mine," Anne said, her voice taking on a tone she'd used when Callie was a little girl and crying over some injustice, "your white knight, he will come." One side of Callie's mouth kicked up in a wry smile. Anne had said those words countless times over the last two decades. "Forgive me, Anne, but I'm not so certain that he will." Oh, he will," Anne said firmly. "And when you least expect." I find I'm rather tired of waiting." Callie laughed half-heartedly. "Which is probably why I've turned my attentions to such a dark knight.
It's pretentious to say, but my art is like a little Zen story, a story with a question mark at the end. People can take from it what they need. If somebody says, "Your art is very funny," I say, "You are totally right." If somebody says, "Your art is very sad," I say, "You are totally right." In Japan they say, "Your art is very Japanese, you even look Japanese.Your great-grandfather was most surely a Japanese man." And I say, "You are totally right."
Whenever you’re down on your luck, and when things aren’t going the way you like, remember that you are the author of your own story. You can write it any way you like, with anyone you choose. And it can be a beautiful story or a sad and tragic one. You get to pick.
Sorry means you feel the pulse of other people's pain as well as your own, and saying it means you take a share of it. And so it binds us together, makes us trodden and sodden as one another. Sorry is a lot of things. It's a hole refilled. A debt repaid. Sorry is the wake of misdeed. It's the crippling ripple of consequence. Sorry is sadness, just as knowing is sadness. Sorry is sometimes self-pity. But Sorry, really, is not about you. It's theirs to take or leave.
Heavy, heavy-hearted people grow lighter and rise occasionally to their surface through precisely that which makes others heavier,through hatred and love.
Just let yourself be broken and humiliated. Just your whole life, keep telling people, I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry.
Of course you come back after a long day and are heavy hearted when all of your scenes are unremittingly upsetting or angry, but I don't take it home with me.
To all the broken-hearted and anyone feeling sad, may your hearts heal and may you feel happy in your lives.Flutter as the butterflies do.
Anger is active sadness; sadness is inactive anger. They are not two things. Watch your own behaviour. When do you find yourself sad? You find yourself sad only in situations where you cannot be angry. The boss in the office says something and you cannot be angry; it is uneconomical. You cannot be angry and you have to go on smiling - then you become sad. The energy has become inactive. You come home, and with your wife you find a small thing, anything irrelevant, and you become angry.
We have newsreaders behaving like actors, lowering their voices if it's a sad story, as if we didn't know it's a sad story. There isn't a single cool newsreader.
To every toiling, heavy-laden sinner, Jesus says, Come to me and rest. But there are many toiling, heavy-laden believers, too. For them this same invitation is meant. Note well the words of Jesus, if you are heavy-laden with your service, and do not mistake it. It is not, Go, labor on, as perhaps you imagine. On the contrary, it is stop, turn back, Come to me and rest. Never, never did Christ send a heavy laden one to work; never, never did He send a hungry one, a weary one, a sick or sorrowing one, away on any service. For such the Bible only says, Come, come, come.
There are two ways to tell the story. Funny or sad. Guys like it funny, with lots of gore and a grin on your face when you get to the end. Girls like it sad, with a thousand-yard stare out to the distance as you gaze upon the horrors of war they can't quite see. Either way, it's the same story.
The story, I like to say and remember, is always smarter than you—there will be patterns of theme, image, and idea that are much savvier and more complex than what you could come up with on your own. Find them with your marking pens as they emerge in your drafts. Become a student of your work in progress. Look for what your material is telling you about your material. Every aspect of a story has its own story.
I wish I had a sad story, but I don't. Too many gay people have a sad story.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
I suggest you keep your distance from her and concentrate on your own work.” “I’m in love with her.” “I am sorry to hear that,” he says. “It will make the challenge a great deal more difficult for you.” “We have been playing at this for more than a decade, when does it end?” “It ends when there is a victor.
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