A Quote by Jessica St. Clair

I think sometimes when you have 24 episodes, you almost have to stretch things out too much. — © Jessica St. Clair
I think sometimes when you have 24 episodes, you almost have to stretch things out too much.
I think that's one of the biggest problems in rock is people thinking too much, putting too much emphasis on getting things perfect or completely sorted out. Sometimes that sound of not having everything sorted out is kind of cool.
I think what's dangerous is 24 hours a day, 335 channels, or whatever the hell there is. Too much is too much.
Sometimes I think to talk too much about music almost cheapens it
Sometimes I think to talk too much about music almost cheapens it.
Sometimes when you're inside a story, it's almost better if you don't think too much about its wider cultural significance or if you don't think about how audiences might react to it. That takes you out of the reality of the situation you're committing to as you're telling the story.
24 hour broadcasts have to stretch limited material to fit 24 hours worth of space.
I guess I like more of the skinny jeans. I'm not very fond of all the stretch, so I try to avoid too much stretch fabric.
I think my rookie year I was just out there, I just wanted to be out there and have fun. Maybe my sophomore year I was thinking a little too much because I wanted to be perfect, but I think everybody goes through that stretch.
It's possible to have too much in life. Too many clothes jade our appreciation of new ones; too much money can out us out of touch with life; too much free time and dull the edge of the soul. We need sometimes to come very near the bone so tha we can taste the marrow of life, rather than its superfluities.
'Blueprint 3' is made up of songs, but it's also a commentary on the idea that in order for rap to survive, we have to stretch out the drama. We have to stretch out the audience. It can't be this narrow - we have to stretch out the point of view.
I almost always write everything the way it comes out, except I tend much more to take things out rather than put things in. It's out of a desire to really show what's going on at all times, how things smell and look, as well as from the knowledge that I don't want to push things too quickly through to climax; if I do, it won't mean anything. Everything has to be earned, and it takes a lot of work to earn.
Pre-show, I warm up my voice, stretch, do a little team huddle, and sometimes throw a shot of whiskey in there, too. After the show, I hang out at merch meeting people and signing things. After that, I usually try to see friends in whatever city we're in, or if I'm super beat, listen to a podcast and pass out.
Although there were only about 24 episodes made it seems to run forever. They take a couple of episodes and put them together, making a feature film once in a while. I had good fun making the series.
Crimes sometimes shock us too much; vices almost always too little.
I think that three-act fundamentalism in film culture is a problem sometimes, because it's almost too obvious, or it's too expected. And it's not the only way to fill two hours, or to phrase things, or to order thoughts, or order ideas.
If you want to do good research, it's important not to know too much. This almost sounds contradictory but really if you know too much and you get an idea, you will sort of talk yourself out of trying it because you figure it won't work. But if you know just the right amount and you get enthusiastic about your project, you go ahead, you do it and if you're lucky things'll work out.
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