A Quote by Jessica St. Clair

I used to joke that, since breastfeeding, my boobs looked like an old athletic sock with some loose change at the bottom, so when I felt a lump the size of a marble, I knew something was terribly wrong.
Driving a steamroller over an old trumpet or a teaspoon is no more destructive than taking a chisel to a lump of marble already torn from the landscape. But people don't see it that way because marble is considered noble.
I hate to admit this, but before we had a baby I was kind of weirded out by breastfeeding. It looked strange, and I was always like, 'Look away! Ignore it, ignore the boobs in the room, move along, nothing to see here!'
I hate to admit this, but before we had a baby I was kind of weirded out by breastfeeding. It looked strange, and I was always like, Look away! Ignore it, ignore the boobs in the room, move along, nothing to see here!
As we got further and further away, it [the Earth] dimished in size. Finally it shrank to the size of a marble, the most beautiful you can imagine. That beautiful, warm, living object looked so fragile, so delicate, that if you touched it with a finger it would crumble and fall apart. Seeing this has to change a man.
The Earth reminded us of a Christmas tree ornament hanging in the blackness of space. As we got farther and farther away it diminished in size. Finally it shrank to the size of a marble, the most beautiful marble you can imagine.
Acting is not terribly important work, and I have always felt a bit of guilt about pursuing something that is so selfish. I love doing it, but it is never something that feels like it's going to change or save the world.
As a child that was disenfranchised from everything, and that was in a world that was the wrong size, run by the wrong people, the wrong morale and the wrong rules, I felt completely outside of that, and I wanted some measure of control, and the measure of control I found was through fear.
I felt like a loser. I was unhappy as a child most of the time. We were terribly poor and I hated my size.
At no time in our lives has the media ever acknowledged they were wrong about anybody. They have never felt the need to apologize for getting something terribly wrong. They have never, after trying to character assassinate people, apologized for doing it when shown they're wrong.
My hopes were high, and I looked every day for some change to take place. What it was to be I knew not, but that it would come I felt certain if I kept on. One day the chance came.
I see a 16-year-old now, and to ask her to take her clothes off would feel really weird. But they were like, 'If you don't do it, then we're not going to book you again.' So I'd lock myself in the toilet and cry and then come out and do it. I never felt very comfortable about it. There's a lot of boobs. I hated my boobs! Because I was flat-chested.
I spent the whole summer with my boobs out, breastfeeding. I loved it. It was heaven.
Golf is like an 18-year-old girl with big boobs. You know it's wrong but you can't keep away from her.
For thirty years now, in times of stress and strain, when something has me backed against the wall and I'm ready to do something really stupid with my anger, a sorrowful face appears in my mind and asks... "Problem or inconvenience?" I think of this as the Wollman Test of Reality. Life is lumpy. And a lump in the oatmeal, a lump in the throat, and a lump in the breast are not the same lump. One should learn the difference.
But now my problems had been set loose. They could be anywhere at any time and I was just like everyone else I knew: almost positive that there was something profoundly and undiagnosably wrong with me.
I loved 'The Secret of NIMH.' When that came out, it felt like, 'Wow, this is something really, really new.' It looked like a Disney film, but it felt very cutting edge to me. To a twelve-year-old kid, it seemed very inspiring.
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