A Quote by Jessica St. Clair
The way that UCB taught us to improvise, you always start from an inspiration from your life, something that's happened to you or a friend. And then you put a comic game onto it. It always starts from a place of reality, of truth.
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There's no secret, but inspiration has to find you working. And that's one of the key things that I've always remembered. And if I put my mind to it tonight, I think I could take a guitar, and by 2 or 3 o'clock in the morning, something will have happened - I'll have had something to hang onto. But I think that's the key.
If something inspires you, try and hold on to that inspiration because if you lose that inspiration, what do you have left? If music is your inspiration and it brings you together with friends, family or loved ones and that's the core of it, then always have it. Always draw from it.
You think about when you're with your friend, and you hang out with your friend. And then you go do whatever you're doing, your life. You know, and then you see your friend again. But for us, we were friends that, we would be together, and then we would go to work, which was us still again, so we were always together.
Notice how every science fiction movie or television show starts with a shot of the location where the story is about to occur. Movies that take place in outer space always start with a shot of stars and a starship. Movies that take place on another world always start with a shot of that planet. This is to let you know where you are. Novels and stories start the same way. You have to give the reader a sense of where he is and what's happening as quickly as possible. You don't want to start the story by confusing the reader.
For me, it's always difficult when a historical film claims to depict or represent a reality that none of us can know, that is always different. It's always the case. We never know what happened then.
[Success] always starts with the material; it always starts with the truth and honesty of the characters that you read in the screenplay and that's rarely something that can be remedied if it's simply not there by the time you shoot the film. Thank God we had that.
Friendship is the bestiest thing that comes to life . Friends will always be there for you don't worry about the fakes worry about the people who had your back from the start and never treated you wrong always remember they are your real friends don't never take them as granted because one day your going to lose a good friend by the way your action's are when you see a good friend stick to that person .
Our "life education" has not necessarily taught us a satisfying way to live. We suffer from a vague sense that there must be something more, some deeper meaning. We must return to kindergarten and start to learn a way of life that is contrary to the way we approached things before-a way of life based on trust of our own inner truth. We can rediscover the child-like innocence and wisdom that knows that anything is possible.
With the way I like to work, I always have to draw [inspiration] from somewhere, and the best place to take from is your own life.
What happened to [Michael Brown] should've never happened. Never. But when we don't have respect for ourselves, how do we expect them to respect us? It starts from within. Don't start with just a rally, don't start from looting - it starts from within.
For me, it's always difficult when a historical film claims to depict or represent a reality that none of us can know, that is always different. It's always the case. We never know what happened then. So my approach with the narrator is to question that, to leave that open, to underline the fact that this is uncertain.
My mother was a great inspiration to me to always do my best. My father has always been my mentor and friend. They taught me the basic principle that guides most all that I do: faith, focus, finish.
I've never felt Truth was Beauty. Never. I've always felt that people can't take too much reality. I like being in Ingmar Bergman's world. Or in Louis Armstrong's world. Or in the world of the New York Knicks. Because it's not this world. You spend your whole life searching for a way out. You just get an overdose of reality, you know, and it's a terrible thing. I'm always fighting against reality.
One's self is always shifting in relationship to beauty and you always have to be able to incorporate yourself or your new self into life. Like your skin starts hanging off your arms and stuff, and then you have to think, well that's really beautiful too. It just isn't beautiful in a way that I knew it was beautiful before.
I have always postulated that we have to find a new way to deal with reality. It's not so much facts that interest me, but a deeper truth in them - an ecstasy of truth, an ecstatic truth that illuminates us. That's what I've been after.
The reality is the only place a company's culture is going to start and end is at the beginning of that company. And it always starts with the founders. So if you can't create an environment of founders and founding employees who are going to represent the company you want, then you are never going to get there. You have to look at your own network and find what you are missing. So if you don't have a female or someone who has an international perspective or a person with a bio degree, but those perspectives matter to the firm or product you want to create, then it's never going to work out.
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