A Quote by Jessica Stockholder
There's something about materials like copper, woods, stone, trees, shells. You walk outside and these materials are part of the world before we touched anything. There's a feeling of pleasure that many of us have in materials that have some presence before us, like clay and wood and copper.
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I used anything, various materials; this is wood, and this is mixed up clay, wedged together, clay with glazes and stuff like that.
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I've made many, many, many large wigs in my career, and I've experimented with lots of materials to make them more fun and interesting and as big as possible. I like to use the lightest wig materials that I can.
We divorced ourselves from the materials of the earth, the rock, the wood, the iron ore; we looked to new materials which were cooked in vats, long complex derivatives of urine which we called plastic. They had no odor of the living, ... their touch was alien to nature. ... [They proliferated] like the matastases of cancer cells.
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In some conditions, the architecture of textile is more relevant than in other conditions or the opacity of the material form. Pattern in the world of scarce materiality and a hybridity becomes a way of creating a new authenticity. Sometimes there is a certain kind of nobility of a group of materials literally of the earth, which had a certain nobility of presence, but is very different from the materials we have now.
I think you have to control the materials to an extent, but it's important to let the materials have a kind of power for themselves; like the natural power of gravity, if you are painting on a wall, it makes the paint trickle and it drips; there is no reason to fight that.
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We've had a century in which we've allowed some industries to basically pollute the air, pollute the water, pollute the ground, pollute the rivers, and we've been trying sporadically to clean air acts and ways of regulating them. But we now are sitting in a world that's filled with all sorts of materials that we don't really know the impact of. It's not like they're necessarily all poisonous but it's odd to put all these materials into our environment and watch.
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I feel best in soft and natural materials such as cotton and silk. I wear collections from all designers. They all have outstanding cuts and extremely pleasant materials.
I just think that if you use materials that have an ability to communicate directly, you open up a channel and you can work through that. So you are using the power of materials.
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