A Quote by Jessica Stockholder
In a park, you are not working with studio materials or a flat piece of paper. You have grass and the people and the city and the daylight.
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When I'm talking to somebody, I'll put a piece of paper on the table and I'll write what I call a conversation summary - notes about the conversation on the piece of paper. At the end of the conversation, I'll take a picture on my phone and give the other person the original piece of paper.
When I thought about Detroit, I would think big city, very urban - not a lot of places to walk around, not a lot of parks. I sort of pictured Manhattan almost, where, besides Central Park, it's all city and big buildings. But now that I'm here, you see people pushing strollers, people hanging out in the park.
If I see a spider in the flat, I try to get a cup and a piece of paper and throw it out of the window. I can't kill them because they're good for catching flies.
I have always been jealous of artists. The smell of the studio, the names of the various tools, the look of a half-finished canvas all shout of creation. What do writers have in comparison? Only the flat paper, the clacketing of the typewriter or the scrape of a pen across a yellow page. And then, when the finished piece is presented, there is a small wonder on one hand, a manuscript smudged with erasures or crossed out lines on the other. The impact of the painting is immediate, the manuscript must unfold slowly through time.
I still love taking pictures with Polaroid film. For me, it offers the most beautiful way of capturing reality and transferring it onto a flat piece of paper.
The process is always the same. I get an inspiration for a new song, I put it down on paper immediately so I won't lose it. When I am ready to go to the studio with it, I play it a few times on the piano and edit, add, and type the lyrics and take it to the studio. Sometimes I don't have anything on paper.
You have all these people in the city and everything has become centralized. If you live outside the city and you need a birth certificate or some official paper from the government, you have to travel to the city.
Take out two pieces of paper. One piece of paper, list all the people you know who are adding to your life.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie joint called Utah Coal & Lumber that was one of only two or three restaurants at that time. Park City was a sleepy little mining town, with not a condo in sight.
The park grass looked greener, the park benches looked better and the flowers were trying harder.
Marriage can be whatever you define it as. For example, I don't feel like I need a piece of paper that says I own her and she owns me. I think signing a piece of paper doesn't mean anything in the eyes of God or in the eyes of people. The thing is, if you are together and you love each other and are good to each other, make babies and all that, for all intents and purposes you are married.
Before I got in the UFC, I wrote down on a piece of paper a goal that I was going to make it to the UFC in 2015 and then I'll be the world champion before 2017 so I'm right on track. I pull out that piece of paper all the time and look at it. It's motivation.
There was no news in the Dan Rather piece. They didn't say [to Bush]: "We found a piece of paper that was overlooked in the 300,000 pieces of paper that were covered in the Iran-Contra hearings, and we have a piece of news we'd like to ask you about." CBS decided to create a media event and cover it in its own fashion. This was unprecedented in American history. CBS cancelled two-thirds of the newscast... to get a guy and take him out.
Design is important. I spend much of my working life as a designer. But how can you design for materials if you don't know what they can do? The feel of them, the possibilities, the capabilities? These are things you learn only by working with materials all the time. Frankly, a university degree is not much help in that.
I'm a big believer of daylight in the studio.
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