A Quote by Jessica Stockholder
I work in response to the limitations of any situation and in relationship to what's possible.
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The most important part of any relationship is allowing others to choose their own response to a situation, and of course this is the most difficult part.
The response to war is to live like brothers and sisters. The response to injustice is to share. The response to despair is a limitless trust and hope. The response to prejudice and hatred is forgiveness. To work for community is to work for humanity. To work for peace is to work for a true political solution; it is to work for the Kingdom of God. It is to work to enable every one to live and taste the secret joys of the human person united to the eternal.
I've never really had a competitive relationship in any work situation.
When we're talking about the "American response" to any disaster, it's not just a government response, an official response, it's a popular response.
I think it's absolutely possible to write a song and go somewhere where no one's been before, uncharted territory. In terms of content, I see limitations where there should be none. I know there are things I wouldn't write about, but that shouldn't be the case. You should be able to make a song out of anything, out of any situation.
From the 'get go', we were working within the limitations of the pandemic. The idea was to work around the situation, and that led us to 'Joji.'
Any relationship should have love, and if there is no love, it is better to call off a relationship. People say that love happens only once, but I don't believe in it because for me, if one relationship doesn't work, you should move on and seek love in another relationship. Who knows; you might find love in the second relationship.
If we could see the whole truth of any situation, our only response would be one of compassion.
As a principle-centered person you try to stand apart from the emotion of the situation and from other factors that would act on you, and evaluate the options. Looking at the balanced whole-the work needs, the family needs, the other needs that may be involved, and the possible implications of the various alternatives - you'll try to come up with the best solution taking all factors into consideration. We are limited but we can push back the borders of our limitations.
I find relatively little relationship between the work of art and the immediate critical response it gets.
This world and life of ours are filled with inequalities. The worst possible use to make of this fact, however, is to allow resentments to possess us. All of us have imagined limitations, but we have also the privilege of pushing them aside, and spreading our lives out! We never know any of our limitations until we put ourselves to the test. There are always "growing pains" working within us.
If the response to 'Suite Francaise' is any indication, there's a great deal of curiosity about Nemirovsky, and the best way to deal with it is to produce another book. So much of her work has been unavailable, and we want to bring as much of it back into print as possible.
I love changing. I hate it when people try to box me in to a relationship or in a work context. Any situation where I feel boxed in freaks me out. And I feel the need to reinvent myself or I'll get bored.
My first relationship to any kind of musical situation is as a listener.
I tend to work on the principle that much humour relies on cognitive dissonance - on the foreground not matching the background, on the protagonist's response to a situation being inappropriate, and so on.
The digital world has allowed me a connection with my reader that I'd never had before. I didn't meet the people who read my material. The fan letters were mostly answered by professional people that'd done them for a living. And I didn't have any daily connection with their response to my work. I didn't have a relationship with my audience. And every artist should have it.
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