A Quote by Jessica Valenti

The desirable virgin is sexy but not sexual. She's young, white, and skinny. She's a cheerleader, a babysitter; she's accessible and eager to please (remember those ethics of passivity!). She's never a woman of color. SHe's never a low-income girl or a fat girl. She's never disabled. "Virgin" is a designation for those who meet a certain standard of what women, especially young women, are supposed to look like. As for how these young women are supposed to act? A blank slate is best.
I thought Victoria Beckham was going to be one of those pop girls, but she's absolutely the complete opposite. She's a working girl. She knows what she wants. And when she doesn't know, she really prepares herself. I love this working type of women. And she's a girl from - I don't even know where she's from.
The girl was grateful to the young man for every bit of flattery; she wanted to linger for a moment in its warmth and so she said, 'You're very good at lying.' 'Do I look like a liar?' 'You look like you enjoy lying to women,' said the girl, and into her words there crept unawares a touch of the old anxiety, because she really did believe that her young man enjoyed lying to women.
When I was a young woman, I had this friend who was really beautiful, and she would talk about how she was losing her looks, that she wasn't as pretty as she once was. She was gorgeous, and I thought, I'm going to stop this bad habit of self-criticism that I think a lot of women get into. You make a choice to be different.
Every woman dreams of love. When she is young she prays she will find it. When she is middle aged she hopes for it and when she is old she remembers it.
A young girl is taught through the example of other women how to manipulate a man. She's absolutely correct in doing so because the job she will get, the man she will marry, the experiences she will have, are very much dictated by her ability to do so.
An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
Aaliyah revolutionized what it was to be a young black woman in America. She made it OK to be a nerd and to be a tomboy. She made it OK to wear leather and chains. She was the first black girl with an ombre. She was so far ahead of everything and everyone. It was just who she was. She was an innovator, but she didn't even realize it.
She was a girl and she was a queen and back in the mists she was a woman who had seized the moon from the sky and drunk its light so that she would never die. And she never had.
At Swarthmore, the Dean of Women was very opposed to women going into science or engineering - so opposed that if she couldn't talk a girl out of it, she just never had anything more to do with her for the four years she was there.
But the thought arrived inside her like a train: Marya Morevna, all in black, here and now, was a point at which all the women she had been met—the Yaichkan and the Leningrader and the chyerti maiden; the girl who saw the birds, and the girl who never did—the woman she was and the woman she might have been and the woman she would always be, forever intersecting and colliding, a thousand birds falling from a thousand oaks, over and over.
And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.
My daughter [Ariana], she's a sweet, lovely girl, but she doesn't have the drive or the belief in herself. As it says in the film, I get touched up thinking about it, no one can give you a career. You have to have that inner drive. She wants it, but she doesn't know how to go for it, she's too shy. To see her perform and come on stage and feel comfortable, you know, she has talent - that was very touching, very moving, for me. She has a really beautiful sound and voice. She's a young girl still, 26, and innocent. She was kind of sheltered.
It is the woman who controls the whole house...it's her job, that's what she's supposed to do...We have to change this idea that women are not only supposed to work in the house...but she also has the ability to go outside and do business, to be a doctor, to be a teacher, to be an engineer, she should be allowed to have any job she likes. She should be treated equally, as men are.
Daphne is the eldest of the Bridgerton daughters, so she is the first to make her debut on the marriage mart and she's waited her whole life for this moment. When we meet her, she conforms to the social pressures placed on young women at the time but as she evolves, she very much finds her voice.
When today's young woman says she isn't a feminist what she means is she isn't a lesbian and she doesn't hate men, she likes to wear make-up and she enjoys a laugh. In which she is no different from many an early feminist.
When I looked at [Fannie Lou] Hamer and that speech it seemed to me that she had to be the bravest woman ever, to come before that body and to assert her rights, when she knew that she was going lose that battle. But she did it anyway, because she knew she was speaking not just for herself and for that day, but for me, and for all the other young women who were coming behind her. She didn't know our names, but she was working for us. I find that incredibly empowering.
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