A Quote by Jessica Valenti
My problem with the wedding industry started when I studied in college and liked to have the television on in the background, and 'A Wedding Story' on TLC always came on, and I'd get irritated that the story of two people making a lifelong commitment to each other could be encapsulated in a half-hour show about the party they throw.
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What's so great about television. You're able to tell a long story, where you couldn't really do that in a film because you have to tell a story in an hour and a half or two hours.
That's what's so great about television. You're able to tell this long story, where you couldn't really do that in a film because you have to tell a story in an hour and a half or two hours.
I think a lot of people get so obsessed with the wedding and the expense of the wedding that they miss out on what the real purpose is. It's not about a production number, it's about a meaningful moment between two people that's witnessed by people that they actually really know and care about.
Some years ago, not long after I moved to Los Angeles from New York, I attended a television industry party. When a man asked my profession, I told him that I was a writer. He sipped his drink. "Half-hour or hour?" he inquired. There was a long silence. "Lifelong," I replied.
What the altar-bound of today end up buying from their numberless vendors is a dog's breakfast of bridal excess - part society wedding of the twenties, part Long Island Italian wedding of the fifties. It's The Philadelphia Story and The Wedding Singer served up together in one curious and costly buffet.
The interesting thing about gay people is that you can't really put on a wedding without them. They're the ones who make your dress, and do the flowers and the catering. They've toiled in the wedding industry all these years but were never allowed to do it themselves.
I had seen the light, come to believe that a wedding should be about a feeling between two people, not a show for the masses...It was a magical, romantic evening, and although I occasionally wish I had worn a slightly fancier dress, and that Nick and I had danced on our wedding night, I have no real regrets about the way we chose to do things.
We always talk about how the first several seasons were faithful to the books, and anybody who wanted to could go onto Wikipedia and learn Ned Stark gets beheaded or about The Red Wedding, and most people don't want to know - because why ruin a story?
...I told him a story of two people. Two people who shouldn't have met, and who didn't like each other much when they did, but who found they were the only two people in the world who could possibly have understood each other.
Since the day Brahma created the world to this day, no one's ever been able to satisfy a wedding guest. They always find some opportunity or other to find fault and criticise. One who can't even afford a dry piece of bread at home becomes a lord at the wedding party.
A wedding is for daughters and fathers. The mothers all dress up, trying to look like young women. But a wedding is for a father and daughter. They stop being married to each other on that day.
Whenever I get married, it will be a Bengali wedding. If I won't have a Bengali wedding, my mother won't come. She has warned me. So, I am going to have a Bengali wedding for sure.
Women ... to them any wedding is better than no wedding and a big wedding with a villain preferable to a small one with a saint.
I told her that I can't be doing with the Wonder part of these trips, but she said it should be the icing on the cake... I've never liked wedding cake due to the amount of icing, but then imagine a wedding cake without it; just a dark, stodgy, horrible dry sponge. The icing covers up the mess, and that's how I feel about most of the Wonders. They use them to get people to visit a place that you probably wouldn't think about visiting.
We really have a close friendship with Christian Petzold, which means we can be more frank and open towards each other, always with total respect. But, we push each other a bit further and further always, and we're always still curious about each other. And when he talks about a story he's thinking of doing, then the whole process is so special because I'm involved in a very early stage and I have the feeling I can, and not only, influence anything about my character, but about the whole story that my character's in.
When you make movies, you have to be preoccupied with the social problems, otherwise there is no point in making a movie. To have a story, you need a social problem. Not necessarily a problem, but something to get the idea for a story, otherwise there's no story.
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