A Quote by Jessica Williams

I always feel like I'm warring with my womanhood and wanting the world to be better, and with my blackness - which is the opposite of whiteness. — © Jessica Williams
I always feel like I'm warring with my womanhood and wanting the world to be better, and with my blackness - which is the opposite of whiteness.
Since I got to this country when I was 12, I've been obsessed with this idea of whiteness and blackness because I realized I was neither. For me, it was so important to me to make a film that focused on whiteness because you wouldn't have blackness if you didn't have whiteness.
The privileged position of whiteness doesn't allow for someone with one drop of Negro blood to be considered white, which allows whiteness to be a fairly pure category while blackness has to absorb an expansive reality of representation.
Blackness better defines who I am philosophically and socially than whiteness does.
Im not really about blackness, per se, but about blackness and whiteness, and what they mean and how they interact with one another and what power is all about.
The anti-blackness has generated new forms of youth involvement in anti-whiteness, which in some cases is appalling.
The very definition of 'blackness' is as broad as that of 'whiteness,' yet we're seemingly always trying to find a specific, limited definition.
Sometimes I feel like I'm not solid. I'm hollow. There's nothing behind my eyes. I'm a negative of a person. All I want is blackness, blackness and silence.
In America, mixed-race identity tends to invite both curiosity and suspicion, largely because few have found a way to interrogate it without centering whiteness as the scale by which to evaluate blackness.
We live in a world in which it's harder to talk about the American in the singular, so we're a multi. We have several different people who represent the United States, so in that sense whiteness, the salience, the importance of whiteness is kind of tamping down some.
I'm wearing pants, for f---'s sake. Lay off. I mean, it's not like I'm a f---ing lead miner. There are harder jobs in the world. But when people feel the freedom to create Tumblr accounts about my c---, I feel like that wasn't part of the deal ... But whatever. I guess it's better than being called out for the opposite.
The writer should always serve as his own angleworm —and the sharper the barb with which he fishes himself out of blackness, the better.
Blackness, any sort of difference, is not a burden. Relegating blackness or other sorts of difference to serious books that explicitly engage with issues creates a context in which it can seem like one.
I determined to make my peace with Islam, even at the cost of my pride. Those who were surprised and displeased by what I did perhaps failed to see that ... I wanted to make peace between the warring halves of the world, which were also the warring halves of my soul.
The blackness of space was a big shock to me. It is a deep, three-dimensional, oily blackness. You can feel the distance.
I think I've always had these two currents, equally strong, of wanting to change the world and make the world better and fight injustices and fight violence, and then being an artist, which is a very different strain.
The areas in which I teach are working-class history and African-American Studies and at its best the critical study of whiteness often grows out of those areas. The critical examination of whiteness, academic and not, simply involves the effort to break through the illusion that whiteness is natural, biological, normal, and not crying out for explanation.
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