A Quote by Jessie Andrews

The age of a person doesn't matter.  The sweetest music is played on the oldest violin. — © Jessie Andrews
The age of a person doesn't matter. The sweetest music is played on the oldest violin.
I grew up in a musical environment. My parents played music and had it playing on the radio. They brought me to a concert at the age of 5, the same age I started violin lessons.
I was raised a musician and I played classic music, violin, in orchestras and music comedy theaters, I have music running around in my head all the time, and if I hear music that's too interesting, I have to pay attention to it.
I loved music from a young age. At school I played the violin but I didn't sing much; there was an expectation of the kids in the choir that they'd have really pure tones, and my voice had all this texture to it. The anodyne soul of Whitney Houston and Mariah Carey was in the charts and I couldn't relate to it.
My mom was sort of involved in amateur dramatics like Gilbert and Sullivan operetta, and played the violin. My dad played banjo and piano and sang as well, so there was all this music in my childhood.
The age of a woman doesn't mean a thing. The best tunes are played on the oldest fiddles.
My Mom played violin and piano when she was growing up and she insisted, and I don't know if you can imagine how uncool it is to play the violin when you're eight and ten years old, but I told my Mom that I would quit every day until I went to high school and I met these other gentlemen who would become Yellowcard, and my friends, and I really fell in love with music and it wasn't just classical music, just submerged in the arts in the school I was in.
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
I've played the violin since I was seven but stopped because there was a stage when it became 'uncool'. I was listening to Nirvana and wanted to play the guitar, so I ditched the violin.
To regard one's immortality as an exchange of matter is as strange as predicting the future of a violin case once the expensive violin it held has broken and lost its worth.
I'm incapable of functioning without music. I've always had it in my life. I played the violin when I was a kid, and my mother was a violinist at that point, so it's always been important to me in one way or another. When I work, there's always music cranking.
When I composed, I heard my music played by the orchestra within days of completion of the score. No master at a conservatory, no matter how revered, can teach as much by verbal criticism as can a cold and analytical hearing of one's own music being played.
I played violin from when I was about eight to thirteen, so I could read a little bit, but if you put a piece of music in front of me now, I would probably know the notes, but not the timing, how they're supposed to be played, and I just don't know how to read chords. If I'd stuck with it, I'd probably have more jobs.
Even though I started playing the violin when I was four, my early chamber music experiences helped build a strong foundation for my solo work, as all music is a rich language and dialogue that is shared on stage, no matter what the size of the ensemble.
Well my dad forced me into playing the violin when I was about three and it all started from there. I went to Suzuki for violin lessons, and you learn to play by ear instead of reading music.
The Third Quartet I made the instruments in pairs - Two different pairs - Violin and viola, and violin and cello. They played very different things from each other all through the whole piece.
I played the clarinet, and my sister played the violin... If we'd had the discipline and the passion, maybe we could have been good.
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