A Quote by Jessie Baylin

There is nothing else to do in Nashville except for write songs. — © Jessie Baylin
There is nothing else to do in Nashville except for write songs.
I came to Nashville in the early '90s, and I thought, 'OK, enough is enough. I write songs; I just don't have the backbone to show it to anybody. I want to go to Nashville and learn how to properly write a song.'
I like to sing. I write music. Country songs. You have to if you're in Nashville. It's part of the lease. You sign a lease that says, I will write country songs and pay my rent on time.
This is my dream and I'm living it. I've never wanted to do anything else except write songs and perform them
We're not just going to take some songs from a focus group in Nashville where people are sitting around in a circle having appointments trying to write catchy songs so they can sell them to a band like us.
I love getting up in the morning with nothing else to do except write.
One of the great reasons to be in Nashville is, you get guys like Shane McAnally to write songs with.
I love writing songs, but I don't want to write the songs everyone else is asking me to write.
In Nashville, everybody just wants to write the best songs. So it's a very inviting songwriting community.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
I live on eight acres out in the country in Nashville, and it gets creepy and foggy. It's the best atmosphere to write songs.
Recording in Nashville was absolutely essential to get the sound, the musicians, the atmosphere, the warmth... There are just cult places like that in the world, like Chicago for the blues or New York for jazz. Nothing sounds the same in Nashville as it does elsewhere. Nashville is the Mecca of country music and everyone knows it.
The truth is, that's what we moved to Nashville to do - to learn how to write hit songs. We weren't necessarily trying to get on college radio. We're trying for mass appeal.
Yeah, except that when I write pop songs I have pretty strict constraints that I impose on myself. 69 Love Songs is a constraint. That the titles have to begin with "I'"s is a relatively strict constraint. Charm of the Highway Strip is all travel songs. And I am free to change the plot slightly to accommodate something that happens to rhyme conveniently.
The BALLPOINT PENGUINS, black and white, Do little else but write and write. Although they've nothing much to say, They write and write it anyway.
'Band Played On' is a good one. Barbara Orbison, who was Roy's wife, was involved in publishing in Nashville because she oversaw Roy's publishing, and she had a company in Nashville. She had a whole bunch of writers assembled, and they got together every day and wrote, and they write for everybody in Nashville.
I will always really work hard to write as much as I can, but I also love sitting back and waiting on those big Nashville songwriters to send me some great songs, too.
This site uses cookies to ensure you get the best experience. More info...
Got it!