A Quote by Jessie Buckley

Sometimes you meet characters at certain points in your life and have a connection with them. — © Jessie Buckley
Sometimes you meet characters at certain points in your life and have a connection with them.
The nature of acting is that one is many characters and jumps from one skin to another as a way of life. Sometimes it's hard to know exactly what all of your characters think at the same time. Sometimes one of my characters overrules one of my other characters. I'm trying to get them all to harmonize. It's a hell of a job. It's like driving a coach.
It's not as if the stories merge to a point where you think they are your life, but you do let them in the front door and the back door, and it's okay that sometimes certain characters stay for dinner.
I'm drawn to female characters, not all of them are strong characters. I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't, or are unconscious about, or have certain liberties that are invisible to them.
Sometimes death is proof of life. Sometimes decay points out a certain verve.
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
Getting to meet people that I've admired my entire life, and getting to meet them in such a way where they're coming in to play completely different characters than I had ever seen them do is just wonderful.
Sometimes you meet a person and you just click-you're comfortable with them, like you've known them your whole life, and you don't have to pretend to be anyone or anything.
Some people tell me they would be afraid of my characters, but I tell those people [that] they meet these characters all the time. They just don't care about them when they meet them, at the gas station, the car wash, the post office even.
Sometimes you meet people, and you somehow feel like you've known them your whole life.
To get a connection to your characters, you have to put them in a situation that you can feel yourself.
Every so often you get to play wonderful characters maybe at the wrong time in your life. Sometimes, you get to play terrible characters at a really great time in your life. Sometimes, the right character comes along at the right time.
You meet lots of people in your life, and sometimes you think that people are a certain way, and then they reveal themselves to be a different way.
Certain songs have a life, and certain songs don't. A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life. And then other songs are only really important for certain periods of your life, and you move on from them and find yourself not necessarily needing to sing them anymore.
In Judaism or Christianity and so forth, you invent rules that don't exist anywhere except in your imagination. You spend your life trying to gain points and to avoid all kinds of things that detract from your points. And if by the time you die you gather enough points, then you pass on to the next level, in Heaven.
You always take a little bit back with you at the end of the day. I always put a little bit of myself into the characters, too. You find parallels, points of connection, things like that. But I'm not an actor who gets so incredibly haunted by my characters that I can't come back.
Characters in animation do not cheat. They do not let you go for another. Animation is on certain points, very close to the pornography industry. All your physical needs are met. You can watch different animations and find anything you desire.
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